According to documents in the Archive of this project, Finlay negotiated with Kenward Elmslie for its publication and it was included in an anthology he edited, ZZZZZZ, 1977. The images consist of toy airplanes on an ironing board to simulated an air craft carrie A toy iron served as an icon for an enemy crusier. The photographs give the viewer an impression that the airplanes are flying but this is an illusion accomplished with the photography by Carl Heideken. The printed pages are tear sheets. -- Source of annotation: Marvin or Ruth Sackner.

The photograph taken by Heideken is an image of the bottom of Finlay's pond. -- Source of annotation: Marvin or Ruth Sackner.

This card depicts a black and white photograph of a stationary, automatic cannon model made by Finlay. It was photographed by Heideken. The caption on the verso taken from Heraclitus provides a definition of the tuning of a lyre that is the title of this poem. By this, Finlay implies the tuning of a weapon of destruction. -- Source of annotation: Marvin or Ruth Sackner.

This card depicts a colored photograph of a model of a stationary automatic cannon made by Finlay. It was photographed by Heideken. There is a cryptic caption taken from Cocteau on the verso, "With us, there is a house, a lamp, a plate of soup, a fire, wine, and pipes at the back of every important work of art." -- Source of annotation: Marvin or Ruth Sackner.

The card depicts a sepia toned photograph of a soldier. -- Source of annotation: Marvin or Ruth Sackner.