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The Sackners purchased a cube sculpture paper covered in Sanesi's typical colored calligraphy of ink and gauche from the exhibition at the Palazzo Reale in Milan in 1983 titled "Jarry e la patafisica." Sanesi was born in 1930 and died in 2002. -- Source of annotation: Marvin or Ruth Sackner.

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This article reviews the "Between Poetry and Painting" exhibition held at the ICA London, in 1965. -- Source of annotation: Marvin or Ruth Sackner.

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The author analyzes English Renaissance pattern poetry from George Herbert, Robert Herrick, Richard Willis and its relationship to the classical shaped poetry, Christian models, and emblem forms. -- Source of annotation: Marvin or Ruth Sackner.

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DeCampos responds to a classification system proposed by Houedard by pointing out "visual organization of words, with an overemphasis on relations of proximity and resemblance between them, leads ineluctably to an equivalent overemphasis on sound, implying a dynamical use of paronomasia and alliteration that explains why Brazilian young musicians have been so much interested in many of our seeming eyepoems, and in the making of oral presentations for them." He states he wrote to Hugh Kennerabout Ezra Pound and received a sympathetic response. -- Source of annotation: Marvin or Ruth Sackner.

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Lists a first edition of George Herbert's "The Temple." -- Source of annotation: Marvin or Ruth Sackner.

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The book acknowledges to Dr & Mrs. Marvin A. Sackner advice on page 17. These prints are stored with the complete set in its case, this copy of the soft cover book is stored adjacent to the case. The book was damaged in hurricane irma, conservation was not successful. Water staining at base. -- Source of annotation: Marvin or Ruth Sackner.

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This is an unpublished essay dealing with Copithorne's personal involvement in visual poetry -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Weiss' book, "Visual Voices: The Poem as a Print Object," 1994 consists of poems appropriated from ancient and classic poems that have been rearranged or altered in their presentation as typed artpoe to convey new meanings mainly based mainly on concrete poetic or conceptual text expressions. He provided an explanation for each of 71 poems published in the book as well as 28 unpublished poems in the typed manuscript. He classified his styles of typed artpoe with headings such as zipperpoem, caressed and overloved poem, telegram poem, etc. He altered poems from such stalwarts as Andrew Marvell, William Wordsworth, Robert Browning , Alfred Tennyson, and John Keats among others. VISUAL POETRY BY IRVING WEISS Team Sonnet: 14 Lines by 14 Different Canonical Poets from Visual Voices: The Poem As a Print Object Appease this virtuous enemy of man (MARVELL) The way which thou so well hast learn'd below, (DRYDEN) And dwell, as in my center, as I can, (JONSON) As into air the purer...