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Bee, Susan

 Person

Found in 6 Collections and/or Records:

Fresh from New York / Susan Bee, curator ; Arakawa ; Schor M ; Spero N ; Rothenberg E., 1988

 Item
Identifier: CC-11629-11845
Scope and Contents

Exhibition curated by Susan Bee. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988

M/E/A/N/I/N/G. No.5/May / Susan Bee, Mira Schor, editors ; Bee S ; Danto A ; Schor M ; Bernstein C ; Wolfli A., 1989

 Item
Identifier: CC-28070-29228
Scope and Contents

A review of Adolf Wolfli's exhibition and catalogue at the NYU Gray Gallery is included (this show was attended by the Sackners). -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

New Observations: Ripple Effects: Painting and Language. No.113/Win / Susan Bee, Mira Schor, editors ; Bee S ; Schor M ; Rosen K ; Goldsmith K ; Pozzi L ; Tuttle R., 1996

 Item
Identifier: CC-27886-29025
Scope and Contents

This issue is devoted to artists who use language, text or writing in their work. In each essay, the artist describes his/her background with text and modes of creativity. Kenneth Goldsmith describes his sculpture "Steal This Book" based on Abbie Hoffman's book.This work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Next Word, The / Johanna Drucker, curator ; Barron S ; Bee S ; Bernstein C ; Berry J ; Carothers M ; Carson D ; Blackwell L ; Corris M ; Huth G ; Debevoise C ; Fella E ; Freeman B ; Goswell J ; Helmes S ; Hirschman J ; King S ; Laxson R ; Lederman SB ; Lehrer W ; Licko Z ; Ligorano N ; Reese M ; Lupton E ; Miller JA ; Lyons J ; MacLow J ; McCaffery S ; McVarish E ; Meador C ; Noble A ; Scher P ; Schor M ; Seagram B ; Sligh C ; Straus A ; Tardos A ; VanderLans R ; Weiss I ; Wolf A ; Zellen J ; Zimmerman P ; Zweig J ; Brewton J., 1998

 Item
Identifier: CC-30917-32372
Scope and Contents

The exhibition, subtitled "Text and/as Image and/as Design and/as Meaning," was an interdisciplinary exhibition of visual art, artists' books, graphic design, and visual poetry by artists who were examining the ways that texts and images produced meaning in contemporary society, specifically in the United States in the 1990s. In a detailed essay, the curator, Johanna Drucker writes, "In the late 20th century artists in all areas work with an awareness of the legacy of conceptual art's attention to language and idea, with pop art and postmodernism's interest in appropriating language and image from the realm of popular and consumer culture, and with the ongoing engagement of artists with a commitment to the traditions of innovative expression." The Sackner Archive lent twenty five works to this exhibition and are acknowledged in the curator's note. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Poetry Plastique / Andre C ; Antin D ; Arakawa ; Bee S ; Berman W ; Bersenbrugge M ; Smith Kiki ; Bok C ; Cage J ; Coolidge C ; Guston P ; Creeley R ; Drucker J ; Freeman B ; Frampton H ; Gins M ; Goldsmith K ; Grenier R ; Hejinian L ; MacLow J ; McCaffery S ; McVarish E ; Phillips T ; Piombino N ; Scalapino L ; Schor M ; Smithson R ; Snow M ; Tuttle R ; Bernstein C ; Werschler-Henry D ; Sanders E., 2001

 Item
Identifier: CC-35669-37419
Scope and Contents

This exhibition deals with poetry off the page onto the walls of the gallery, including sculptures, paintings, films and videos. Curated by Jay Sanders and Charles Bernstein, the works "offer a constellation of intellectually compelling, poetically dense, visually dazzling works that represent some of the most exciting efforts in current practice." Catalogue essays were contributed by Jay Sanders and Charles Bernstein. Johanna Drucker's text is titled, "Plastic Modalities: Emerging Sentience." Tom Phillips' text is from "Notes on A Humument." The Sackners lent eight original pages from "A Humument." John Cage describes his work "Not Wanting To Say Anything About Marcel," a work lent to the exhibition by the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001