This article describing The Midland Group Gallery in Nottingham specifically relates to an exhibition of concrete poetry, the catalog of which is contained in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Designated pamphlet seven. Although the title page of this publication announces a debate, the pages consist of photocopied reproductions of concrete poems. -- Source of annotation: Marvin or Ruth Sackner.

This a critical text dealing with issues after the exhibition, "Between Poetry and Painting" at the ICA in London 1966. -- Source of annotation: Marvin or Ruth Sackner.

The poem is laid out in the shape of a fir tree. This copy is from the unsigned, unnumbered edition of 175; 75 copies were signed and numbered by Lucie-Smith. -- Source of annotation: Marvin or Ruth Sackner.

In notes to the poems, Smith states, "form determines meaning - better still - form is meaning, the cart before the horse or rather the cart becoming the horse, etc." -- Source of annotation: Marvin or Ruth Sackner.

Includes a major listing of works by d.a.levy. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue deals with the works published by Mayer as well as his own experiments in concrete poetry. It is profusely illustrated with works by artist/poets published by the press and also with reproductions of Mayer's monoprints. -- Source of annotation: Marvin or Ruth Sackner.

Review of "Between Poetry and Painting" at the ICA in London. Lucie-Smith states "Concrete poetry is difficult to describe but easy to recognize." Stored with other material about this exhibition. Stored with material dealing with the Archive of "Between Poetry and Painting." -- Source of annotation: Marvin or Ruth Sackner.