Commissioned for "The Beauty In Breathing" exhibition. The images read from bottom to top, move from earth to air, and then back again as a metaphor for breathing. A landscape signifies breathing of earth and a mandrake root "screams" when pulled fro the earth. A balloon man adapted from a Chinese Taoist illiustration of psychic breathing, hovers over the sea in a place where air is "worth breathing." The scroll contains automatic writing done as Lewty focused on the rhythm of his own breathing. -- Source of annotation: Marvin or Ruth Sackner.

The work of Simon Lewty is illustrated and reviewed. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this book is autobiographical remeniscences. -- Source of annotation: Marvin or Ruth Sackner.

This book is a collection of short stories. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition consisted of Lewty's textural works, some overlaid with abstract markings rather than surreal creatures as in his earlier works, others purely textural with more formal lettering. In his introductory essay, Paul Hills writes that in these textural paintings, Simon Lewty "has banished the lure of the figurative...to forestall and inclination to read the painting in terms of illustration, thereby bringing us forcibly back to the work as an object, to the look of the whole, to the matter of the text and its material presence." -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Anne Berthoud. Mention is made of a painting entitled "Of Ancient Breathing," a work commissioned for "The Beauty in Breathing" exhibition by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The drawings constitute the pages of this book. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was originally conceived as a scroll but when it was exhibited at the Miami Art Museum for an exhibtion"Visual Poetics" (2003), it was flattened and placed in a case and has remained as such. A derail of this drawing is depicted in Lewty's exhibition "The Centre of the Field" held at te Ikon Gallery Birmingham, Englanmd in 1984. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts details From The Dull Brethren 1984, Preparations For Their Arrival 1984, The Centre of the Field 1983, and The Unbinding of a Hedge 1983 drawings. The first two drawings of the preceding are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

A derail of this drawing is depicted in Lewty's exhibition "The Centre of the Field" held at te Ikon Gallery Birmingham, Englanmd in 1984. -- Source of annotation: Marvin or Ruth Sackner.

Most of the images depicted in this catalogue are examples of Language Art. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts two works from the Sackner Archive that is also listed among the supporters of this publication. A drawing given to the 11 supporters of the publication of this book is depicted in another entry. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts two works from the Sackner Archive who is also listed among the supporters of this publication. The drawing was given to the 11 supporters of the publication of this book. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition consisted of Lewty's mainly more visual than textural works. -- Source of annotation: Marvin or Ruth Sackner.