Each page needs to be opened along the vertical perforation to see the images. -- Source of annotation: Marvin or Ruth Sackner.

Also designated as Konst-och bildforskning No.5-6. The Sackner Archive is listed under bookshops, publishers, archives and catalogues. -- Source of annotation: Marvin or Ruth Sackner.

Barton Lidice Benes was born in Hackensack, N.J. on Nov. 16, 1942, the son of Marie and Richard Benes. His father, a son of Czech immigrants, gave him his middle name in memory of Lidice, a Czech town destroyed by trton Benes died on May 30, 2012, after a battle with HIV and AIDS that lasted more than 25 years. I interviewed Barton for the first time 10 years ago. He and his apartment were a reporter's dream. Inside an 800-square-foot studio was crammed 40 years worth of work, including his devastating AIDS pieces, which were usually quite funny at the same time. Barton and his apartment became addictive. I met him when he was deep in the throes of making relics out of celebrity garbage. -- Source of annotation: Marvin or Ruth Sackner.

There is a brief essay by D. Fendrick about the book as a work of art. "Boite-en-Valise" and "The Large Glass and Related Works" by M. Duchamp that are mentioned and reproduced in this catalogue are held by the Sackner Archive as is Lucas Samaras' "Book." The loose sheet is a price list. -- Source of annotation: Marvin or Ruth Sackner.

Features a brief essay on books as works of art by D. Fendrick. "Foirades/Fizzles" by J. Johns and S. Beckett, which is mentioned, is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was sponsored by the Center for Book Arts. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition organized by Walter Hamady. Catalog includes reproductions of Joni Mabe's "Elvis Presley Scrapbook;" Buzz Spector's "The Outline of Art;" and Morrie Warshawski's "Patterns of Oppression," all held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The Elvis Presley Scrapbook by Joni Mabe was lent to the exhibition by the Sackner Archive. In an introductory essay to the exhibition, Francis Mattson wrote that the work is "deliberately provocative..." and "...may be viewed as an icon of contemporary American popular culture." -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Bernice Steinbaum. -- Source of annotation: Marvin or Ruth Sackner.

Curated by Betty Bright who acknowledged Ruth Sackner and others in aiding the preliminary research for the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Each artist provided a short statement about his/her relationship to bookworks. The duplicate is unbound. The Humumemt globe held by the Sackner Archive was included in this exhibition and a photograph of it appears in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Martha B. Scott contributes an essay on the cultural aspects of the artists' collage works. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition featured book objects. Stored in box with other books having a title beginning with Livres. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Aart van Barneveld. Eighty artists were invited to send a photo-ready rubberstamp design of fixed dimensions but according to Barnerveld few followed the directions. -- Source of annotation: Marvin or Ruth Sackner.