Scope and Contents

The works that are depicted and described in this catalogue and formerly held by the Sackner Archive included "Easter Island" by Iliazd, "Of Two Squares" by Lissitzky, and "Ledantiu as a Beacon" by Iliazd. The Sackner Archive still retains "For the Voice" by Lissitzky and Mayakovsky. -- Source of annotation: Marvin or Ruth Sackner.

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The book cover design entitled, "M. Gorki - Vladimir Lenin," that is depicted in this catalogue, is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The book cover design entitled "M. Gorki - Vladimir Lenin," is illustrated in this catalogue and was purchased by the Sackners from this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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This book depicts three Russian Avant Garde facsimile books. -- Source of annotation: Marvin or Ruth Sackner.

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The recto image is a surrealistic scene with horror figures such as Frankenstein in a field of sunflowers. The verso has three stamps, one U.S. Postal and two by Buster Cleveland, and a reproduction of a Malevich cubo-futurist male figure. -- Source of annotation: Marvin or Ruth Sackner.

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Letter indicates that Balan would like to publish these prints as an edition. -- Source of annotation: Marvin or Ruth Sackner.

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Curated by Gail Harrison Roman. The Sackner Archive lent several books to this exhibition. Stored under Franklin Furnace. -- Source of annotation: Marvin or Ruth Sackner.

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Gleb Yershov contributes an essay, "The Emergence and Development of the Artists' Book in Russia" tracing their roots in avant garde publications. Mikhail Karasik curated the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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This book is also Flue Volume 4 No.1-2. -- Source of annotation: Marvin or Ruth Sackner.

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Auction catalogue. -- Source of annotation: Marvin or Ruth Sackner.

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This book was published to accompany a traveling exhibition that originated in Minneapolis. It includes essays by Manfred Bock, Kees Broos, Martin Filler, Kenneth Frampton, Martin Friedman, Ger Harmsen, Joop Joosten, Rudolf W.D. Oxenaar, Sergio Polano, Nancy J. Troy, and Robert P. Welsh, with an introduction by Hans L.C. Jaffe. -- Source of annotation: Marvin or Ruth Sackner.

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Includes an illustrated essay on the picture and word art of Malevich by Felix Ingold. -- Source of annotation: Marvin or Ruth Sackner.

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This is a profusely illustrated catalogue that deals loosely with the theme of labyrinths. -- Source of annotation: Marvin or Ruth Sackner.

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The book was edited by Troels Andersen. There are significant water stains to some of the pages but the text is preserved. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The exhibition, "Et Tous Ils Changent le Monde" ("And All of Them Change the World"), reveals, outside of major works, an ensemble of art moments that have been perceived as essential in the course of modern and contemporary art, the avant garde artists from the beginning of the century and those of today. Marc Dachy, who proposed the theme of the exhibition, writes in his preface that this biennale was to present Dada and its spirit, connections and relationships to contemporary art. Dachy gives a broad overview with reference to specific artists participating in the exhibition and describes their relationship to art movements such as Situationism, Art Brut, Conceptual and the language-art movements of concrete and visual poetry, Fluxus and Neo-Dada. The book is arranged such that each section deals with an individual artist. The section includes a reproductions of the works, a critical essay, an interview or documentation by the artists on his/her works. -- Source of...

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Includes reproduction of El Lissitzky's poster, "Beat the Whites with the Red Wedge" as plate No.124. This poster from Lenin-Bibliothek, Moscow is identical to the one held by the Sackner Archive. The poster was viewed by the Sackners at the exhibition held at the Guggenheim Museum October 1992 and the identity confirmed. The reproduction in the catalog fails to show the two black lines surrounding the image. Another poster purported to be an original at Rosa Esman's gallery had a single line. -- Source of annotation: Marvin or Ruth Sackner.

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This drawing appears to be a flow chart for a computer program. -- Source of annotation: Marvin or Ruth Sackner.