The works depicted in this booklet were part of an exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Several of Caruso's textural visual poems are reproduced in this booklet. This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

This booklet consists of photocopied tickets, schedules, map, etc. that forms a diary-like document of the year 1975 in the life of the artist. This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

This book includes a lithograph accompanying a limited edition book probably about 500 copies. The illustrations are reproductions of written fragments of collages that have a name of an Italian poet written over the collaged fragments. These are portraits of the poets in visual poetic terms but are simpler in construction than Caruso's "Ritratto Degli Uomini Illustri" that is also held by the Sackner Archive. This book was published in September 2002 and Caruso died later tha year. -- Source of annotation: Marvin or Ruth Sackner.

Printed on the cover of this book is a reproduction of an Isou sound poem, "Des Lendemans Qui Chantent..., La Guerre, 1947. -- Source of annotation: Marvin or Ruth Sackner.

This book contains several essays on definitions and aspects of poesia visiva and visual poetry by its contributors. A photographic reproduction of Miccini's collage, 'Viaggio tra le nuvole' (1967), a work held by the Sackner Archive is depicted on page 148 of this exhibition catalogue and the image is depictedaccompanying this record. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Miccini reviews visual and sound poetry in Italy and introduces some newcomers in the field. -- Source of annotation: Marvin or Ruth Sackner.

The name, Le Porte di Sibari, denotes a group of visual poets that were organized by Luciano Caruso in 1990. They are all included in this exhibition that was curated by Caruso. Together with SM Martini, he contributed critical essays to this catalogue published by Belforte Editore Libraio. -- Source of annotation: Marvin or Ruth Sackner.

One of the loose sheets is a reproduction of a letter to Dorflies, another a letter to Martini. The afterword was written by Lora-Totino. -- Source of annotation: Marvin or Ruth Sackner.

This book reviews visual and concrete poetry with calligraphic themes in Italy during the seventies. Its translation into English without the images is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

This is the English translation of Ugo Carrega's Scrittura Attiva, Bologna: Zanichelli, 1980, a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue dealt with published and unpublished examples of Parole In Liberta. One such poem by Jamar 14 (aka Piero Gigli), "Villa T.B.C.," had the theme of a stay in a Tuberculosis Sanatorium. -- Source of annotation: Marvin or Ruth Sackner.

The poem by Stelio M Martino entitled "Aquarium" is dedicated to Caruso. -- Source of annotation: Marvin or Ruth Sackner.

The poem by Stelio M Martino entitled "Aquarium" is dedicated to Caruso. -- Source of annotation: Marvin or Ruth Sackner.

Visioni del Particolare, 1981 a suite of drawings by Vincenzo Accame and "Bianco/Nero," a unique book by Enzo Miglietta, which are held by the Sackner Archive are depicted in this book. -- Source of annotation: Marvin or Ruth Sackner.