This exhibition dealing with the visual appearances of bicycles was curated by Giancarlo Pavanello who also wrote a lengthy introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

This book provides information including tirage on Futurist books. -- Source of annotation: Marvin or Ruth Sackner.

Originally appeared in C. Belloli's "Ravoli Visuali," Edizioni della Rivista Gala, Rome, 1948. -- Source of annotation: Marvin or Ruth Sackner.

Covers are missing but catalogue also available in pdf format for downloading on their web site. -- Source of annotation: Marvin or Ruth Sackner.

The introductory essay to the exhibition was written by Carlo Belloli. -- Source of annotation: Marvin or Ruth Sackner.

Contains Futurist poems depicting portraits of several artist/poets. -- Source of annotation: Marvin or Ruth Sackner.

This is also designated stampe propagandistiche / spedizione in abbonamento postale / gruppo IV / anno 4 numero 4 / giugno 1973. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue includes several essays regarding the history of visual poetry and its relation to concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Kac comments on "Adrift," a holographic poem commissioned for the Sackner Archive. It is composed of 7 words that dissolve into space along the Z axis as the viewer reads them back and forth. The letters that make up the words are floating freely along the Z axis except for the word "breathe," which is somewhere integrated into the overall light field. This word blows life to the other words as its letters actually move away from their original position to dissolve again into the light field. -- Source of annotation: Marvin or Ruth Sackner.

Mentions support of Sackner Archive in producing "Adrift" a holographic poem composed of seven words that dissolve into space and into each other with viewing. The reading process takes place along the Z axis. The letters that form the words float irregularly along several Z axis except for the word "breathe" which is somewhere integrated into the overall field. This blows life into the other words as its letters move away from their original position to dissolve again in the light field. -- Source of annotation: Marvin or Ruth Sackner.

This book reviews visual and concrete poetry with calligraphic themes in Italy during the seventies. Its translation into English without the images is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

This book is stored in the Ugo Carrega box. -- Source of annotation: Marvin or Ruth Sackner.

The cover of this catalogue was designed by Franco Verdi. This exhibition depicts a representative, international selection of concrete and visual poems that can be considered "classics" of the 20th century. This anthology of visual poems includes essays by Carlo Belloli, Kitasono Katue, Emilio Isgro, Franz Mon, Martino & Anno Oberto, Adriano Spatola, and Franco Verdi. -- Source of annotation: Marvin or Ruth Sackner.