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The meaning of the concrete poems that are printed on different colored paper stock is enigmatic. The tipped-in sheet reproduces an essay on Belloli's work by Max Bense. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This exhibition was curated by Lynn Zelevansky and was shown at the Los Angeles County Art Museum in which books were lent by the Getty. The same books were lent by the Sackner Archive to the MIami Art Museum when it traveled there. Peter Frank contributed as essay entitled, "geometric literature: From Concrete Poetry to Artists' Books." Amazon Review: In the decades following World War II artists in Europe, North America, and South America began experimenting with geometric forms. Rebelling equally against the mathematical purity of earlier geometric modernism and what many saw as the emotional excesses of abstract expressionism and Art Informel, these artists emphasized three-dimensionality, the repetition of modular elements, the conceptual underpinnings of art, and the performative to engage the viewer in the creative process and achieve broader intellectual, sensual, and emotive range in their work. Beyond Geometry, which accompanies an exhibition at the Los Angeles County...

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This exhibition honoed Jiri Kolaron the occasion of his 70th birthday. Poster reproduces work from the catalogue published by Galerie Pragxis, held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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Originally published in 1951. -- Source of annotation: Marvin or Ruth Sackner.

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This sheet was placed on the wall with adhesive tape as the introduction to the most important exhibition of concrete poetry in its time. Burkhardt's biography. -- Source of annotation: Marvin or Ruth Sackner.

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Originally appeared in C. Belloli's "Ravoli Visuali," Edizioni della Rivista Gala, Rome, 1948. -- Source of annotation: Marvin or Ruth Sackner.

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Covers are missing but catalogue also available in pdf format for downloading on their web site. -- Source of annotation: Marvin or Ruth Sackner.

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The introductory essay to the exhibition was written by Carlo Belloli. -- Source of annotation: Marvin or Ruth Sackner.

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This is also designated stampe propagandistiche / spedizione in abbonamento postale / gruppo IV / anno 4 numero 4 / giugno 1973. -- Source of annotation: Marvin or Ruth Sackner.

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This book is stored in the Ugo Carrega box. -- Source of annotation: Marvin or Ruth Sackner.

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Belloli is one of the last generation of Futurist poet/artists. -- Source of annotation: Marvin or Ruth Sackner.