The text is a single letter 'a' with slash marks. it was first published by Horses & Magpies Press in 1971. -- Source of annotation: Marvin or Ruth Sackner.

As defined by Geof Nuth, a pwordmd is a one word poem, often a neologism, presesnted without a separate title. -- Source of annotation: Marvin or Ruth Sackner.

Huth defines "pwoermds" as a one word poem, often a neologism, presented without a separate title. Examples printed in this book include unreal (Jonathan Brannen), utter (John Byrum), omissin (endwar), poefict (Christopher Franke), kwife (Lee Gurga), mag((((net)))) (Karl Kempton), anf gnowing (Ezra Mark) among others. -- Source of annotation: Marvin or Ruth Sackner.

Four constructivist drawings were done by Ruth Pettis. -- Source of annotation: Marvin or Ruth Sackner.

Four constructivist drawings were done by Ruth Pettis. -- Source of annotation: Marvin or Ruth Sackner.

Also designated as One Cent #276 and Deep Lemons 2. -- Source of annotation: Marvin or Ruth Sackner.

The printed designation is goodbooqpres #6 but should be #7. Includes neologisms such as seasuns, woom, bentrance and governmeat. -- Source of annotation: Marvin or Ruth Sackner.

Also designated dboubdiedb #3. Kempton's poem reads, spot + place - plot = space. Brannen's poem reads, word + 1 = world. -- Source of annotation: Marvin or Ruth Sackner.

On facing pages, Brannen presents a conventional poem on the left side and a deconstructed rendition on the right side almost as a constellation form of concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

Introduction by Dan Raphael. -- Source of annotation: Marvin or Ruth Sackner.

This book includes the poem was inspired by the centennial of Walt Whitman's death, "The Glass Man Left Waltzing." -- Source of annotation: Marvin or Ruth Sackner.

Jonathan Hunt Brannen, age 63, of St. Paul, MN, passed away suddenly on November 5, 2013. Jonathan was first and always a writer, although his creative spirit spilled over into everything he did. He authored eleven volumes of poetry, including Deaccessioned Landscapes (Chax Press, 2005) and five volumes of visual literature. He was a prolific musician who composed avant-garde electronic music and had a deep passion for and extensive knowledge of the blues. -- Source of annotation: Marvin or Ruth Sackner.

Also designated dbqp No.135 and Deep Lemons No.2. -- Source of annotation: Marvin or Ruth Sackner.

This poem was inspired by the centennial of Walt Whitman's death. -- Source of annotation: Marvin or Ruth Sackner.

Also designated Texture Chapbook Series #30. -- Source of annotation: Marvin or Ruth Sackner.

On the back cover, it is stated that Jonathan Brannen is the author of twelve volumes of poetry and four books of visual literature. His most recent collections are Mona Lisa (Avantacular Press, 2010), a sequence of visual poems he created combining computer constructed images and photocopying between 1975 and 1982, and Deaccessioned Landscapes, a collection of technically innovative sonnets (Chax Press, Tucson, 2005). His poetry and fiction have been anthologized in five countries on three continents and translated into two languages. He grew up in Florida and currently resides in St. Paul, Minnesota. -- Source of annotation: Marvin or Ruth Sackner.

The introduction was written by Geof Huth. -- Source of annotation: Marvin or Ruth Sackner.