Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

Describes visit from Fred Truck, Paul Zelevansky and David Cole. -- Source of annotation: Marvin or Ruth Sackner.

The text is superimposed on surrealistic figures drawn by Cole. Cole praises Curtay's sound poetry performance. -- Source of annotation: Marvin or Ruth Sackner.

Incorporates Cole's typical iconography. -- Source of annotation: Marvin or Ruth Sackner.

The letter is written on a print depicting a visual poetic interpretation of the 64 hexagrams of I Ching. The loose sheet is a photocopy of a letter officially announcing his resignation from the Board of Higher Education, NYC. -- Source of annotation: Marvin or Ruth Sackner.

Proposes that Bennett send some material to Doc(k)s and Tartalacreme for publication and that Curtay perform in Bennett's space. -- Source of annotation: Marvin or Ruth Sackner.

This documents a project done by Cole involving the placement of large colored letters in a St. Paul, Minnesota park. -- Source of annotation: Marvin or Ruth Sackner.

This pages of the book depict multiple picture poems. -- Source of annotation: Marvin or Ruth Sackner.

Cole writes "Nice to hear there is a collector of concrete and visual poetry!" -- Source of annotation: Marvin or Ruth Sackner.

Envelope addressed to jw curry. -- Source of annotation: Marvin or Ruth Sackner.

Mentions that Dogfish is a Seattle based correspondence artist named Robert Rudine. -- Source of annotation: Marvin or Ruth Sackner.

The page layout consists of grids of small panels containing the contributions of individual artists/poets. -- Source of annotation: Marvin or Ruth Sackner.

The page layout consists of grids of small panels containing the contributions of individual artists/poets -- Source of annotation: Marvin or Ruth Sackner.