The poem with gold colored, repetitive words is printed in the shape of a tondo. -- Source of annotation: Marvin or Ruth Sackner.

This package consists of mimeographed sheets from AH No.1-8, which were displayed at an exhibition of "Concrete Poesie" held at the Stedeljk Museum, Amsterdam on June 6, 1970. The exhibition catalogue of this show, "sound texts ? concrete poetry visual texts" is held by the Sackner Archive as are most of the original silkscreen paper printed poems mounted on perspex that were displayed at this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This is an incomplete copy that is missing a few of the poem objects. -- Source of annotation: Marvin or Ruth Sackner.

This is an original complete issue of the periodical. The other copy was purchased in an unrolled condition and is missing a few of the poem objects. -- Source of annotation: Marvin or Ruth Sackner.

Designated as No.0 on label but in sequence is No.10. -- Source of annotation: Marvin or Ruth Sackner.

Designated as No.0 on label but in sequence is No.10. -- Source of annotation: Marvin or Ruth Sackner.

Designated as No.0 on label but in sequence is No.10. -- Source of annotation: Marvin or Ruth Sackner.

An English translation of this "provisional manifesto of the new language" defines visual poetry as combining writing and articulation with and/or replacing these by extra-linguistic signs and techniques. -- Source of annotation: Marvin or Ruth Sackner.

This is a stunningly produced anthology of a single poet's ouevre. -- Source of annotation: Marvin or Ruth Sackner.

The word leiden is typed lower case with a white ribbon giving the appearance of embossed words. The lower case i is added in red. -- Source of annotation: Marvin or Ruth Sackner.

The poem with red colored, repetitive words of the title is printed in a large typeface in a circular shape. -- Source of annotation: Marvin or Ruth Sackner.

The poem depicts two, hot pink colored, foot shaped poems formed by Dutch words that are printed on a green background. -- Source of annotation: Marvin or Ruth Sackner.

This book describes an exhibition and a symposium that included sound poetry, which was held in Venice in June 1972. The critic, Rossana Apicella, mentions, "Let us hope, si licet, that visual poetry will not meet with rapid success, that it will remain immediate, violent, mad and popular, erudite and authentically experimental; there is a risk, otherwise, that according to the logic of human destiny it will get up to a dangerous pedestal." -- Source of annotation: Marvin or Ruth Sackner.

The poem is printed with black letters on a red background; the English, he and she, are printed vertically with the E's interlocked as a metaphor for sexual intercourse. -- Source of annotation: Marvin or Ruth Sackner.

The letters formed at the top of the repetitious text by utilization of negative space spell BRIER. -- Source of annotation: Marvin or Ruth Sackner.

The booklet and its pages are circular shaped. This copy of the periodical has an extra booklet purchased subsequently to the initial acquisition. -- Source of annotation: Marvin or Ruth Sackner.