Andrea Dezso has illustrated this article about the little-known New York roots of religious tolerance with drawings of reflecting historic New York buildings. -- Source of annotation: Marvin or Ruth Sackner.

Dezso's illustrates an essay on world agricultural problems by Dan Barber. -- Source of annotation: Marvin or Ruth Sackner.

Andrea Dezso has illustrated this article about family holiday communcations with reproductions of stitching of families, airplanes, Christmas trees, computers and cars. -- Source of annotation: Marvin or Ruth Sackner.

This is a copy of the original hand stitched piece purchased by the Sackner Archive from the exhibition in the Museum of Design in New York titled "Pricked.' -- Source of annotation: Marvin or Ruth Sackner.

This drawing was shown at the Museum of Design in New York in the exhibition entitled "Pricked" (2007). -- Source of annotation: Marvin or Ruth Sackner.

This is a copy of the original hand stitched piece purchased by the Sackner Archive from the exhibition in the Museum of Design in New York titled "Pricked.' -- Source of annotation: Marvin or Ruth Sackner.

This drawing was shown at the Museum of Design in New York in the exhibition entitled "Pricked" (2007). -- Source of annotation: Marvin or Ruth Sackner.

The Sackners saw this exhibition, entitled "Pricked" and purchased two works by Andrea Dezso from the 48 embroidered cotton squares of the series "My Mother Claimed That..." -- Source of annotation: Marvin or Ruth Sackner.

This is a review of two exhibitions at the Folk Museum and the Museum of Art and Design in New York. From the latter exhibition, Andrea Deszo's "Lessons from My Mother" is described, in particular the piece"My Mother Claimed That A Woman's Legs Are So Strong That No man Can Spread Them If She Doesn't Let Him." This is one of two works purchased by the Sackners from the artist after viewing the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

The Sackners saw this exhibition and were impressed with the consistant high quality of the work. They particularly enjoyed the droll work of Andrea Deszo. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by David McFadden who also wrote the introductory essay that provides a capsule review of each artist's work. -- Source of annotation: Marvin or Ruth Sackner.

Included in the exhibition and illustrated are ten works in the embroidered series "My mother claimed that..." The Sackner Archive holds two examples ot these works. -- Source of annotation: Marvin or Ruth Sackner.

Included in the exhibition and illustrated are ten works in the embroidered series "My mother claimed that..." The Sackner Archive holds two examples ot these works. -- Source of annotation: Marvin or Ruth Sackner.

The cards were a gift from Andrea Dezso when she visited the Sackner Archive in 2013. -- Source of annotation: Marvin or Ruth Sackner.

Dezso illustrated this essay with a black and white scene of a tidal wave breaking over a city. -- Source of annotation: Marvin or Ruth Sackner.

Andrea Dezso takes the leitmotif of her life - an artist caught between civilizations - and gives it to us in crafted form. The entire body of her work, from the drawings and fragments of her journal, to the cut-out silhouettes, to the ceramic figures, to the needlepoint and kitchenware, is the material for a gigantic story: part fairytale, part diary, part chapter of world history. The total picture is so sad, magical, melancholy and hilarious that it couldn't possibly be true. but it is. Morgan Meis contributes a descriptive essay of Dezso's life and work. The Sackner Archive is listed as holding her pieces. -- Source of annotation: Marvin or Ruth Sackner.

This poster is based on the installationof Dezso' work for the MTA. It is an artistic, fanciful version of underground transportation with children and above ground images of plants. -- Source of annotation: Marvin or Ruth Sackner.