Scope and Contents

The recto depicts Bonvicino's printed poem, the verso Ferrari's calligraphic interpretation. -- Source of annotation: Marvin or Ruth Sackner.

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This book reproduces drawings with dense calligraphic markings and letraset letters and symbols; the Sackner Archive holds four drawings in this style. -- Source of annotation: Marvin or Ruth Sackner.

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This is number 48 in the Drawing Papers series and was issued for Ferrari's exhibition at the Drawing Center. The drawings date from the 1960's. -- Source of annotation: Marvin or Ruth Sackner.

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This book consists of a collection of anti-religious establishment essays. -- Source of annotation: Marvin or Ruth Sackner.

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The catalogue for this exhibition is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This is a massive, profusely illustrated catalogue with extensive documentation. The WEB site of this exhibition states: The exhibition of Leon Ferrari is a retrospective one that includes fifty years of his work, from the beginnings, in 1954, until the present. It presents a sample of works of different periods with the purpose of unfolding the creative process of the artist. The exhibition does not include the totality of its works, but a selection of each series or creative moment. If in the retrospective exhibition of an artist a period of its work were eliminated, it would be being been clipping or censuring his production. Leon Ferrari is expressed in a poetic and controversial sense. His creations explore the possibilities of the plane, the space and the meaning with drawings, sculptures, collages, brailles and objects. In them, he uses metals, inks, pencils, engravings, heliografi­as, dummies, bottles, birds, fish, excrements, images, reliefs in brailles, videos. As much...

Scope and Contents This massive, profusely illustrated catalogue with extensive documentation is a reprint of Leon Ferrari retrospective catalogue of 2004 with additions to bring it up to 2006. The catalogue has been translated from Spanish into Portuguese and was edited by Andrea Giunta. It presents a sample of works of different periods with the purpose of unfolding the creative process of the artist. The exhibition does not include the totality of its works, but a selection of each series or creative moment. If in the retrospective exhibition of an artist a period of its work were eliminated, it would be being been clipping or censuring his production. Leon Ferrari is expressed in a poetic and controversial sense. His creations explore the possibilities of the plane, the space and the meaning with drawings, sculptures, collages, brailles and objects. In them, he uses metals, inks, pencils, engravings, heliografi­as, dummies, bottles, birds, fish, excrements, images, reliefs in brailles, videos....

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This catalogue was edited by Luis Perez-Oramus. Amazon.com "Leon Ferrari (born in 1920) and Mira Schendel (1919-1988) are among the most significant Latin American artists of the twentieth century. Active simultaneously in the 1960s, 1970s and 1980s in the neighboring countries of Argentina and Brazil, they found inspiration in the written word and in the eloquence of spoken language, and they both used language as important visual subject matter. Published to accompany the first comprehensive survey of the work of each artist in the United States, this essential catalogue presents new insights into the artists' groundbreaking work and examines the connections and collisions between the visual arts, writing, politics and religion in their oeuvres." -- Source of annotation: Marvin or Ruth Sackner.

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Julio Plaza curated this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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The images in this book consist of stylized, masculine forms viewed from above on checker game boards. -- Source of annotation: Marvin or Ruth Sackner.