Huth, Geof
Found in 82 Collections and/or Records:
Anarchy / Huth, Geof., 1986
Anthology Meaning Meanings, 1989
This booklet was written for a workshop in a grade school class and is a second edition of the book. -- Source of annotation: Marvin or Ruth Sackner.
Archetext / Huth, Geof., 1986
Circo (Mar/Bless) / Huth, Geof., 1986
Curvd H&Z: Interior Definition #2. No.346/Apr / Geof Huth., 1987
The poem relating to the title is in(strum)ment in which strum is printed in red and the other letters in black ink. This poem was also published as one cent No.183. -- Source of annotation: Marvin or Ruth Sackner.
Dachau : afterwards / Huth, Geof., 1994
Huth's simple concrete poems recalls conditions at the Dachau concentration camp during WWII. -- Source of annotation: Marvin or Ruth Sackner.
dbqp: dbqprodbooqpdb #6: Catalog Intermedia Res. No.122/Apr / Geof Huth, editor., 1991
Provides a bibliography and explanation of the diverse publications of the press. Alabama Dogshoe Moustache prints language and concrete poetry. The Subtle Journal of Raw Coinage prints neologisms. A Voice Without Sides (VWOS) is a magazine of anything, viz. poetry, drawing etc. Epistlational Exscrapts is always packaged within an envelope, and gives a surprise. Socks, Dregs, & Rocking Chairs is an infrequent comicbook. goodbooqpres is a series of what passes for books. -- Source of annotation: Marvin or Ruth Sackner.
dbqp: Epistulational Exscapts #1 H.H.D.S.. No.36/May / Geof Huth ; Julie Fish., 1988
dbqp: Epistutational Exscrapts #1. No.36/May / Geof Huth, editor., 1988
dbqp / Huth, Geof., 2008
dbqp: Socks, Dregs & Rocking Chairs #1. No.0 / Geof Huth, editor., 1982
Huth writes that this piece was a copy from the original 25-copy edition. He then "retro-numbered" it as dbqp # 0. -- Source of annotation: Marvin or Ruth Sackner.
dbqp: visualizing poetics - visual poetry and personal experience / Huth, Ge(of); Sackner MA; Sackner RK; Laffoley P; Ben; Vater R; Finlay IH; Gomringer E; Sloy; Phillips T; Furnival J; Grumman B; Lipman J; Cobbing B., 2007
This illustrated blog by Geof Huth records the tour of the Sackner Archive with his family. and continues with their trip through Florida and the Florida Keys and a visit with Bob Grumman. The report continues with visits to and communication with Spencer Selby, Andrew Topel, and, performances with Nico Vassilakis, Crag Hill, Jim Anderson titled "An Evening of Sound/Visual/Digital/Poetics.' -- Source of annotation: Marvin or Ruth Sackner.
dbqp: visualizing poetics; visual poetry, the textural imagination, and personal experience / Huth, Geof; Sackner MA; Bennett JM; Buchholz K; Altemus R; Beckett T; Ernst KS; Vassilakis N; Cassidy T; Howe W; Murphy S; Lipman J; Gubbins M; Bennett CM; Hill C; Barwin G; Wood R; Endwar; Peters M; Huth G; And M; Leftwich J; Helmes S., 2010
Huth provides a review of all the presentations at the 2nd Avant Garde Writing Symposium held at the Ohio State Libraries. -- Source of annotation: Marvin or Ruth Sackner.
Enlaciary / Huth, Geof., 1986
Fission / Kempton, Karl ; Grumman B ; cummings ee ; Patchen K ; Huth G., 1988
Bob Grumman wrote the introduction in which he comments on the form of Kempton's poems whereby a word is split into two or more words by intervening spaces. He mentions that G. Huth designated this form as a severlation. These poems are printed one to a page, e.g., artifact = art if act, justice = just ice, herring = her ring, netherlands = net her lands, etc. -- Source of annotation: Marvin or Ruth Sackner.
Gadfly, The. No.8 / Huth G., 1978
Edited by Geoffrey Huth. -- Source of annotation: Marvin or Ruth Sackner.
Ghostlight / Huth, Geof ; Grumman B., 1990
This is a revised edition of a collection previously circulated as TUYAU No.129. Some of the poems are reminiscent of the minimalist poems by Aram Saroyan. -- Source of annotation: Marvin or Ruth Sackner.