Moineau, Jean-Claude
Found in 18 Collections and/or Records:
Agentzia: Roman. No.19 / Jean-Claude Moineau., 1969
The cards with their borders cut-out in different placements and perforations along a vertical center line allow incorporation of new words from the card immediately underlying the cut-outs & perforations into the text above it. The sorting of the cards is random. The text is printed in red or black and the calligraphy has varied sizes. -- Source of annotation: Marvin or Ruth Sackner.
Centro La Comune: Environment. No.13 / Jean Claude Moineau., 1970
Charlottenborg Festival 200 Bulletin. No.7 / Moineau JC., 1969
ecrivez ce a dire / Moineau, Jean-Claude., 1968
Exemplaire / Moineau, Jean-Claude., 1969
This book is also included in Carrega's "Pantabox 69." -- Source of annotation: Marvin or Ruth Sackner.
FI CHE / Moineau, Jean-Claude., 1970
Fl Poeme De Soci / Moineau, Jean-Claude ; Frougnay, Christiane., 1970
Illisible: anthologie / Moineau, Jean-Claude; Frougnay, Christiane., 1968
Kristaller / Gette, Paul-Armand ; Moineau JC ; Heidsieck B., 1968
Several woodblock sculptures are photographically reproduced in this catalogue. The loose print that includes a calligraphic text, musical notation and two comic strip panels was done by Jean-Claude Moineau. -- Source of annotation: Marvin or Ruth Sackner.
La Lectura est un Parcours D'Obstacles ; artLa Lecture Est Un Parcous / Moineau, Jean-Claude ; Asperghis G., 1969
[Letter to John Furnival] / Moineau, Jean-Claude., 1967
Moineau asks Furnival to sponsor performances by Met-Art group in England, -- Source of annotation: Marvin or Ruth Sackner.
N L I / Moineau, Jean-Claude., 1970
Ne Coupez Pas. No.2 / Jean Claude Moineau, editor., 1970
Ne Coupez Pas. No.5 / Jean-Claude Moineau, editor ; Moineau JC ; Gette PA ; Fernbach-Flarscheim C., 1970
Retour Du Futur: L'Art a contre-courant, 2010
In this dense, heavily annotated essay, Moineau explains that to resist globalization and commodification of art, other trends have appeared advocating all kinds of back: back to modernism, back to the author, return to morality, return to ethics, etc. But in vain he said, because these too reactive attempts end up caught by reification and absorbed by the global art. -- Source of annotation: Marvin or Ruth Sackner.