This catalogue provides a listing of current books in stock with annotations. -- Source of annotation: Marvin or Ruth Sackner.

Phillips writes about Cage (and could mean himself), "Art is done mostly by one person in a room and artists do not tend to look for heroes among the school-spawning tyrants of new orthodoxies: they seek the individual who offers fresh disciplines of liberty." -- Source of annotation: Marvin or Ruth Sackner.

Includes the biography and bibliography of Eric Mottram, the British poet and critic. -- Source of annotation: Marvin or Ruth Sackner.

Numerous concrete and visual poets whose work is represented in the Sackner Archive are noted by name in the small press section of the essay. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue lists and describes publications from small presses in England during 1978 and 1979. Information from each submitting press was collated in this catalogue thereby accounting for the different papers and printing styles. The cover was designed by Jeff Nuttall. -- Source of annotation: Marvin or Ruth Sackner.

The major portion of this catalog deals with the listing of poetry anthologies. -- Source of annotation: Marvin or Ruth Sackner.

This is a performance poem for three voices first published in 1979. -- Source of annotation: Marvin or Ruth Sackner.

Mottram discusses the career of Bob Cobbing from his first sound poetry performance at the ICA London in 1965, his organization of writers and poets beyond the traditional literary boundaries, and his relationship to the avant garde poets, musicians and theorists of the 1960's and 1970's. The panels "Spontaneous appealinair contemprate apollinare" that are depicted in this pamphlet are held by the Sackner Archive.This piece is reprinted from Second Aeon magazine No.16-17, 1973 and is also Designated Studies in Concrete Poetry No.1. -- Source of annotation: Marvin or Ruth Sackner.

This essay was first published in Intrepid No.23-24, 1972. -- Source of annotation: Marvin or Ruth Sackner.

The pages are contructivistic drawings formed by lines between the blocks of text in the first printing of Mottram's "Pollack Record" in PS magazine, 1979. Cobbing rescued these lines and their arrangement was edited by Jennifer Pike. -- Source of annotation: Marvin or Ruth Sackner.