Oiticica, Hélio, 1937-1980
Dates
- Existence: 19370726 - 19800322
Found in 7 Collections and/or Records:
Art from Brazil in New York / Schendel M ; Oiticica H ; Silveira R., 1995
This exhibition was held simultaneously at several sites in NYC. Mira Schendel's concrete poetic works were shown at The Drawing Center. -- Source of annotation: Marvin or Ruth Sackner.
Erre: Variations Labiyrinthiques / Fanny Moinel, curator ; Oiticica H ; Long R ; Malevich K ; Rodchenko A ; Hirschhorn T ; Denes A ; Michaux H ; Lombardi M ; Kelly M ; Grigley J ; Mullican M ; Ferrari L ; Citroen P ; Debord G ; Francois M ; Joyce J ; Valcarcel-Medina I ; Brouwn S ; Breakwell I ; Schoffer N ; Kolarova B ; deCointet G ; Molnar V ; Art & Language ; Borges J ; Duchamp M ; Isou I ; Smithson R ; Andre C ; Kopystiansky I ; Kopystiansky S ; Acconci V ; Bass S ; Uecker G ; Gego ; Perec G., 2011
This is a profusely illustrated catalogue that deals loosely with the theme of labyrinths. -- Source of annotation: Marvin or Ruth Sackner.
No Vazio do Mundo / Schendel, Mira ; DeCampos H ; Bense M ; Clark Ly ; Oiticica H ; Spanudis T ; Brett G ; Eco U ; Walther E., 1996
This retrospective exhibition was organized by Sonia Salzstein. The catalogue includes seven in-depth essays including an interview with Haroldo de Campos. -- Source of annotation: Marvin or Ruth Sackner.
Pioneering Abstraction in Brazil / Serpa, Ivan ; Hugo Nathan, curator ; Heinrich zu Hohenlohe, curator ; Pape L ; Oiticica H., 2012
The loose sheet is a price list of the works being sold. -- Source of annotation: Marvin or Ruth Sackner.
Playing With Form: Neoconcrete Art From Brazil / Olivier Berggruen, curator ; Bois YA ; Packard T ; Berggruen O ; Oiticica H ; Klein Y ; Pape L ; Serpa I ; Clark L ; Schendel M ; Rado G., 2011
With the exception of Mira Schendel's work in this exibition that depicts typewriter poetry, the artworks are neo-concrete, a Brazilian take on constructivism. The essays provide a good review of the chronology of the movement. -- Source of annotation: Marvin or Ruth Sackner.
Tramas de Penelope / Penelope's Mesh / Vater, Regina; Sackner MA; Sackner RK; DeCampos A; Oiticica H., 2010
The 70 drawings contained in this publication designed and printed by the artist herself were selected from more than 600 drawings and notes. These drawings are preserved as a digitized collection on three CDs in important cultural archives... they are drawings notes for installations and sculptures, Some have been realized while others in an embryoinic state. They are notations that reflect the experimental and avant-garde character of the artist's work, as well as her choice of motifs and materials. They represent over three decades of the artist's thinking process related to space and volume. The works consist of drawings, projects, installations and sculptures from 1969 to 2004. Vater's work is listed as contained in "The Archives of Visual Poetry of Ruth and Marvin Sackner of Miami Beach, Florida - which is the biggest and most important collection of Visual Poetry in America." -- Source of annotation: Marvin or Ruth Sackner.