This catalogue is in the form of an insert for a compact musical disc and is housed in a jewel case of a compact musical disc but no disc is present. Instead, a paper card with the shape of a disc depicting Mondrian and a statement by Ori is glued to the inside of the case. This is the first exhibition catalogue with this type of presentation held by the Sackner Archive. The images in the exhibition as shown in the catalogue are Mondrian constructivist paintings modified by Ori's collage treatments. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue is in the form of an insert for a compact musical disc and is housed in a jewel case of a compact musical disc but no disc is present. Instead, a paper card with the shape of a disc depicting Mondrian and a statement by Ori is glued to the inside of the case. This is the first exhibition catalogue with this presentation held by the Sackner Archive. The images in the exhibition as shown in the catalogue are Mondrian constructivist paintings that Ori has modified with collage treatments. This is an unsigned copy, the other copy held by the Sackner Archive is signed. -- Source of annotation: Marvin or Ruth Sackner.

The poem features a music score by Robert Schumann with a couple kissing. -- Source of annotation: Marvin or Ruth Sackner.

There is an unsigned version of this print with smaller borders within an issue of Mercado Del Sale, September 1975. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was issued for a two month celebration of Italian art and culture in John Wanamaker's department store in Philadelphia, the sister city of Florence. A series of exhibitions were also held in the Sala d'Arme of Palazzo Vecchio. The exhibition was divided into the following sections: classical abstractions, icons, visual poems, surrealism and figurative art. -- Source of annotation: Marvin or Ruth Sackner.

In the duplicate of this work, the print is inscribed 'prove/ d'stampe." The same print in this folder was also printed with large white borders and signed in an edition of 100 copies; the latter is held by the Sackner Archive and catalogued under the artist's name. -- Source of annotation: Marvin or Ruth Sackner.