In this portfolio, the highly stylistic calligraphic musical scores that were drawn freely and eloquently beyond the usual staff lines, originated from a large, single calligraphic drawing by Melin. The theoretical texts about the music on the facing pages were written by Bosseur. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition honoed Jiri Kolaron the occasion of his 70th birthday. Poster reproduces work from the catalogue published by Galerie Pragxis, held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The total number of copies in the trade edition is not provided. The critical text relates mainly to analysis of Phillips' Dante's Inferno. -- Source of annotation: Marvin or Ruth Sackner.

The section on Tom Phillips begins by stating that his work "defies all restrictive notions of style and all bids to establish fixed aesthtic categories...The musical output of Tom Phillips is much more than a side aspect of his activity as a painter in that is lends an original dimension, along experimental lines, to the relation between musician and score...Whenever TP makes artistic use of a notation of a musical instrument, he insinuates an interpretation of both temporal and spacial characte -- Source of annotation: Marvin or Ruth Sackner.

In this extensive anthology, several examples of Constantine Xenakis' works are depicted; his work is represented in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is an announcement for a musical drama performance. -- Source of annotation: Marvin or Ruth Sackner.