Scope and Contents

Organized by Silvie Turner and Ian Tyson who co-authored the catalog essay which discusses T. Phillips' "Dante's Inferno," held by the Sackner Archive. Ron King's "White Alphabet" and JoE Tilson's "Alchera," are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This is the catalogue for the XV Sao Paulo Bienal. The title was also termed 'Cratylus.' The cover design was taken from a painting by Tom Phillips. In this catalogue, Hiouedard made the following comments: Dom Sylvester Houedard was born on the island of Guernsey. He studied at Jesus College Oxford and in 1949 joined the Benedictine Abbey at Prinknash in Gloucestershire; he was ordained as priest in 1959. He was a pioneer of British concrete poetry and regularly contributed to magazines and exhibitions from the early 1960s until his death. He became literary editor of the Jerusalem Bible in 1961, and founded the Gloucestershire Ode Construction Company in 1967. One copy is stored as a reference text, the other alphabetically on the shelf. "During 1945 I realised the typewriter's control of verticals and horizontals, balancing its mechanism for release from its own imposed grid, (and) offered possibilities that suggested (I was in India at the time) the grading of Islamic...

Scope and Contents

Stored with Exit publications. This work was designed by Ian Breakwell. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This folder is a tribute to Erik Satie, along with an exhibition and concert on the 25th anniversary of his death. Tom Phillips and Ron King contributed the colored prints in addition to the black and white versions also in this folder. The Phillips print is a page of A Humument. There were 50 copies of a signed edtion with handcolored prints by Phillips and King and 30 artist proofs with handcolored prints by Phillips and King in this edition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This folder is a tribute to Erik Satie, along with an exhibition and concert on the 25th anniversary of his death. This edition contains prints by Tom Phillips and Ron King in black and white. There were 50 copies of a signed edition with handcolored prints by Phillips and King and 30 artist proofs with handcolored prints by Phillips and King in this edition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

One copy is unopened and enclosed in its original cellophane bag. In the other copy, the cellophane bag has been discarded and the prints by Tom Phillips and Houedard removed. -- Source of annotation: Marvin or Ruth Sackner.

Promotional poster for this issue is in Sackner Folder 69.

Scope and Contents

Edited by David Kilburn. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Live in Your Head re-examines the artistic legacy of the 1960s and 70s and attempts to clarify the points of origin of a formative generation in British art. It focuses on conceptual and experimental art in Britain. Each artist/poet is given a double-page spread, This catalogue also includes artists' statements and portraits, reproductions of numerous works, biographic and bibliographical information. In addition, Live in Your Head includes a lively and illustrated chronology of social and cultural events between 1965-1975, and essays by Michael Archer, Rosetta Brooks and co-curators, Andrea Tarsia and Clive Philpot. This catalogue has a blue cover whereas the other copy in the Sackner Archive has a yellow cover. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Seven minimalist poems printed in this issue are written by Ian Hamilton Finlay though no author's name appears. -- Source of annotation: Marvin or Ruth Sackner.