Scope and Contents

This is a major exhibition of concrete and visual poetry organized by Michael Glasmeier. Almost every classification of visual/verbal imagery was represented in this catalogue. This catalogue depicts 71 dom sylvester houedard, eight Ladislav Novak typewriter poems. This catalogue depicts images of works included in several Hansjorg Mayer portfolios of concrete poetry. It also depicts images from runs of periodicals such as Affiche, Futura, POTH, Rot, Revue Ou, Rhinozeros, etc. Most of the works in this exhibition are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The page of this leaflet consists of overlapping fingerprints. Also designated th wrecking ballzark #50 and one cent #111. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This was first published in 1968. It is not listed in bibliography of book entitled "The Printed Performance Brian Lane Works 1966-99." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Images consist of fingerprints and images forming the letter 'i'. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

An image on each page depicts the letter 'i' formed by fingerprints. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

An image on each page depicts the letter 'i' formed by fingerprints. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

An image on each page depicts the letter 'i' formed by fingerprints. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The print is placed in the binder with Burda's Imago 66. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This exhibition aimed to document the aesthetic shift that took place in the 1960's and 70's in Czech concrete poetry, art, letters and images. Josef Hlavacek writes in his introduction, ''The relationship between the image and the letter could be called mutual initiation. It became evident that the letter as an object not only of literary but also of artistic interest has a long history with particular accents in classical antiquity, the era of the Baroque and the avant-garde of the 1910s and '20s...The experiment in poetry was brought about by what was essentially a direct reaction to the problematic line of civic poetry...[Then] attention became focused on the word as an independent phenomenon and language...A third stimulus stemmed from a strong interest in how art mediates information about the outer world through artistic signs, doing so in a much more direct way than the spoken or written word." The exhibition featured small magazines, exhibition catalogues and books of the...

Scope and Contents

The image was adapted from Tlaloc #7, 1965. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The image was adapted from Tlaloc #7, 1965. This proof version of the card was rubberstamped by jw curry in blue ink. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is also designated Curvd H&Z No.206 and one cent No.111. -- Source of annotation: Marvin or Ruth Sackner.