Eshleman, Clayton
Found in 10 Collections and/or Records:
Brother Stones / Eshleman, Clayton; Paden, William., 1968
No.5: In the Beginning Was the Word / Am Here Books ; Burroughs WS ; Clark T ; Eshleman C ; Aaron R ; Schwerner A ; Stein C ; Quasha G ; levy da., 1981 - 1982
The 45 rpm record consists of a reading by Burroughs. -- Source of annotation: Marvin or Ruth Sackner.
No.13 / Paperwork ; Eigner L ; Elmslie K ; Eshleman C ; Ferlinghetti L ; Ford CH ; Ginsberg A ; Gomringer E ; Rothenberg J ; Quasha G., 2000
No.48 / Halsey, Alan ; Eshleman C ; Bowler B ; Sharkey JJ ; Creeley R ; cummings ee ; Dawson F ; Finlay IH ; Hollo A ; Jandl E ; Kerouac J ; MacLow J ; Mayakovsky V ; Mottram E ; Nuttall J ; Silliman R ; Torok K ; Weiner H ; Williams J ; Cobbing B., 1986
No.64 / Am Here Books ; Elmslie K ; Eshleman C ; Faietti A ; Ferlinghetti L ; Finlay IH ; Freifeld L ; Finch P., 1992
No.89 / Am Here Books ; Elmslie K ; Eshleman C ; Faietti A ; Fones R ; Ford CH ; Freilicher M., 1994
Sale 95: Modern Literature Including Twentieth Century Poetry from the Collection of Malcolm Carey / Pacific Book Auction Galleries ; bissett b ; Birney E ; Creeley R ; Eshleman C ; Joyce J ; Vollmann W ; Weiners J., 1996
Auction catalogue. The Sackners purchased two letters by bill bissett at this auction., -- Source of annotation: Marvin or Ruth Sackner.
Sea Urchin Harakiri / Bador, Bernard ; Clayton Eshleman, translator ; Tzara T ; Eluard P., 1986
Introduction by Clayton Eshleman. Postface by Robert Kelly. Collage by Bernard Bador. -- Source of annotation: Marvin or Ruth Sackner.
slimvolume poster publication. No.3 / Andrew Hunt, editor ; Beech D ; Vincent M ; Morris S ; Klingberg G ; Kuzemczak P ; Beuys J ; Clarke D ; Russell R ; Bowen A ; Fuller B ; Wade G ; Quinn M ; Price E ; slimvolume ; Worthington G ; Acconci V ; Anderson S ; Atkinson T ; Patterson S ; Buchler P ; Celant G ; Corvi-Mora T ; Fusco M ; Jones G ; Leiber S ; Metzger G ; Sackner RK ; Sackner MA., 2004
Trice / Vallejo, Cesar ; Clayton Eshleman, translator., 1992
Trilce was published in the same year as The Waste Land and is, like the Eliot poem, a masterpiece of early modernism, a ground-breaking work which has had an indelible effect on all subsequent poetry in its language. The book, a first edition, includes seventy-seven poems that are considered Vallejo's most complex and radical work. According to Eshelman, one early critic of these poems stated that Vallejo (1892-1938) invented surrealism before Surrealism. -- Source of annotation: Marvin or Ruth Sackner.
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