curry describes his adventures on riding a train as a hobo in this story. -- Source of annotation: Marvin or Ruth Sackner.

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

This is the 2nd edition of a book compiled for teaching concrete and visual poetry in the grade schools. Each page depicts a concrete or visual poem. A photograph of Paul-Armand Gette's word sculpture, "Totem," is reproduced on one of the pages. -- Source of annotation: Marvin or Ruth Sackner.

This is the first edition of a book compiled for teaching concrete and visual poetry in the grade schools. Each page depicts a concrete or visual poem. A photograph of Paul-Armand Gette's word sculpture, "Totem," a work held by the Sackner Archive is reproduced on one of the pages. -- Source of annotation: Marvin or Ruth Sackner.

This booklet was written for a workshop in a grade school class and is a second edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

curry then briefly comments on Toronto poets and their activities in concrete, visual, and sound poetry up to the time of publication of the essay in 1987. The 2nd version of the manuscript was submitted for publication to Cross-Canada Writers Quarte In the Afterward written for Innovations in 1989, curry corrects errors in the original essay and comments upon younger poets not mentioned in the earlier essay, e.g., Daniel f. Bradley, Steven Smith, Gary Barwin, Stuart Ross, Steve Venright, -- Source of annotation: Marvin or Ruth Sackner.

Produced by David UU. -- Source of annotation: Marvin or Ruth Sackner.

Produced by David UU. -- Source of annotation: Marvin or Ruth Sackner.

Also designated two-bitter #56. Comprises an anthology dealing with poetic works written by lefler from 1974-1994. -- Source of annotation: Marvin or Ruth Sackner.

Lists the first three publications by the press, written by curry, lefler, and Laba. Also appeared as Curvd H&Z No.175, 1983. -- Source of annotation: Marvin or Ruth Sackner.

Includes several essays on the historic beginnings of Canadian concrete, visual, and sound poetry. The Archive for the essay by jw curry, Defying Linear Deification... is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by Peggy lefler. -- Source of annotation: Marvin or Ruth Sackner.

AntiChrist was first published as logical sequence #3 in Curvd H&Z series 0, No.9. This work is also designated th wrecking ballzark #14. -- Source of annotation: Marvin or Ruth Sackner.

Also designated pomez a penny #5. -- Source of annotation: Marvin or Ruth Sackner.

Also designated th wrecking ballzark #37. -- Source of annotation: Marvin or Ruth Sackner.

Also designated pomez a penny #30. -- Source of annotation: Marvin or Ruth Sackner.