Scope and Contents From Publishers Weekly: "Muniz's cockeyed account of his life and art, when it doesn't sidetrack into irritating displays of the artist's egotism, shines with an inventive charm. Chronicling his rise from poor Brazilian immigrant to highly successful New York artist, the volume is beautifully designed, with the pleasing heft of a high school textbook, and packed with illustrations. Since the early 1990s, Muniz has created densely referential photographs of his own drawings and collages. These generally involve some kind of conceptual trickiness about representations of representations; a copy of a Cezanne still life, for example, composed of tiny circles punched out of magazines, or a recreation in chocolate syrup of a famous photograph of Jackson Pollack. The book is also a mini-museum of the wide-ranging obsessions that fuel Muniz's work, with images drawn from art and science and quirky sidebar quotations from the likes of Emily Dickinson, Henry David Thoreau and, yes, Vik...

Scope and Contents

All the works in this exhibition were loaned from the West Collection. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This exhibition was curated by the Brazilian Sergio Bessa (b.1951) who serves as the Director of the Bronx Museum in NYC. A biography of Bessa appears on David Daniels' Gates of Paradise web site. For this exhibition, Kay Rosen contributed four pages of language poetry and Vic Muniz three pages entitled "Study for Neon." -- Source of annotation: Marvin or Ruth Sackner.