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The photograph depicts a visual poem dealing with the theme of saving water. The visual component of the poem is a blimp. -- Source of annotation: Marvin or Ruth Sackner.

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The author presents photographed street poetry that consists of torn and manipulated posters, graffiti, anonymous wall drawings and writings. The minimalist poetry is taken from location signs. -- Source of annotation: Marvin or Ruth Sackner.

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The photograph depicts graffiti scrawled on a door. Vaccari inscribed the verso with the caption, poesia visiva. -- Source of annotation: Marvin or Ruth Sackner.

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The photographic images in this poem are three head shots but the top of the heads have been displaced downward through collage such that eyes are absent. -- Source of annotation: Marvin or Ruth Sackner.

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This book is no.4 in a series entitled "Proposte 4." -- Source of annotation: Marvin or Ruth Sackner.

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The book documents an exhibition of snapshots that were taken in a coin operated photograph booth. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The book documents exhibitions of snapshots that were taken in a coin operated photograph booth. It can be considered a 2nd revised edition of a book with a similar title pubished in 1973 that is also held by the Sackner Archive.Amazon.com: Franco Vaccari, born in Modena, Italy, in 1936, has shown his work at four Venice Biennales to date (1972, 1980, 1993 and 1995), the Centre Pompidou in Paris and P.S.1 in New York. He's also well known in Italy as a critic and author. Exhibitions in Real Time is the first monograph to assemble his recurring works of that title. It focuses particularly on one early and better-known iteration, his 1972 Biennale solo show, and also documents 35 performances over the following 30 years of activity. The 1972 Exhibition in Real Time, known as Leave a Photographic Trace of Your Passing, set a simple photo kiosk into the gallery with a sign asking visitors to add a picture to the wall. It was and remains both an ideal conceptualist work and an emblem of...

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This book consists of a series of questions with choices of answers dealing with art. -- Source of annotation: Marvin or Ruth Sackner.

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This book is entirely visual depicting a motorcycle giving chase to another motorcycle. -- Source of annotation: Marvin or Ruth Sackner.

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Includes a 24 page section entitled "Antologia Di Poesia Visiva" that cionists of several critical texts and 49 illustrations printed in B&W of visual poems. The usual proponents are depicted as a well as a large number of poets not ususall cited. -- Source of annotation: Marvin or Ruth Sackner.

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The recto of this piece is a listing in two columns, Italian and English, of aphorisms beginning with "poetry is...." The verso continues the listing at its top with the last line reading, "poetry is this." Below this line is an enlarged black and white photographic grid of six pictures of the same attack dog. -- Source of annotation: Marvin or Ruth Sackner.

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This symposium was subtitled "Ricerche verbovisuali delle seconde avanguardie tra atttualita e tradizione and presented at the Museo di Arte Moderna e Contemporanea di Trento e Rovereto. Ruth and Marvin Sackner were invited to this symposium at MART where Marvin presented "The Collector as Performer." The lecture was translated into Italian by Maria Francescotti. A photograph of the Sackners appears on page 224. -- Source of annotation: Marvin or Ruth Sackner.