This poster consists of several colored, photographic reproductions arranged in an irregular grid that were taken from Suarez Londono's artist book "Obra Sobre Paper." -- Source of annotation: Marvin or Ruth Sackner.

This poster consists of several, colored photographic reproductions arranged in an irregular grid that were taken from Suarez Londono's artist book "Obra Sobre Paper." -- Source of annotation: Marvin or Ruth Sackner.

Suarez Londono illustrated the text of Abad Faciolince with five colored lithographs and eight photographic reproductions of black line drawings. The cover has a colored, collaged lithgraph. Suarez also designed the endpapers. -- Source of annotation: Marvin or Ruth Sackner.

Suarez Londono's works on paper consist of engravings and mixed media. The series illustrated in the book are E.S.A.V., Retratos [Portraits], Universidad Pontificia Bolivariana, Degas, Yolovei, Eno, Paul Klee, Grabados [Engravings] and Wild Horses. Several of these works are artist notebooks. The book is also illustrated with 82 small pictures of historic and contemporary art works of importance to Suarez including a self-portrait of Tom Phillips painted on a page from A Humument, similar in imagery to a page held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The page has an illustration for an essay by Antonio Montana. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue presents a project commisioned for Art Basel Miami 2010 in which topics were selected by the two artists and separate or joint drawings were made. Sixty two drawings are depicted from 31 topics in this book. -- Source of annotation: Marvin or Ruth Sackner.

This text is an English translation of the essay by Elkin Restrepo in Suarez Londono's book, "Obra sobre Paper." Restrepo writes, "Through the character of his drawing, from the use of the petroglyph and the primitive symbolism (where the sketch, the styling, and the rhythm are the base of every representation), to the almost photographic, exquisite treatment of reality, Suarez creates a scale where only the figure is the foundation and the pinnacle. A type of representation where hierarchies and scales unite, and where forms, strokes, tones and images are intertwined...We remember the old Mallarme saying, "The universe is a book," especially as we find that, behind these diaries, notebooks, and sketch books, Suarez orders ideas of the infinite." -- Source of annotation: Marvin or Ruth Sackner.