This box was a gift to Marvin Sackner from his daughter Sara, and her family, on his 80th birthday. Each card reads "Happy 80th Birthday, Dad-Ta! May you live to be... 120. Love always! Sara Andy Zach Eli Albert." Every card is numbered 1-83, and the last card explains the rules of playing the game "120."

A Moire pattern is a secondary and visually evident superimposed pattern created when two usually transparent identical patterns on a surface (such as closely spaced grids or straight lines are overlaid while displaced or rotated a small amount from one another. -- Source of annotation: Marvin or Ruth Sackner.

A Moire pattern is a secondary and visually evident superimposed pattern created when two usually transparent identical patterns on a surface (such as closely spaced grids or straight lines are overlaid while displaced or rotated a small amount from one another. -- Source of annotation: Marvin or Ruth Sackner.

This drawing was made by Marvin Sackner's grandson in honor of his 70th birthday. -- Source of annotation: Marvin or Ruth Sackner.

This is a modification of Julius Nelson's "soldiers" in that his was typed with the "sildiers" packed together whereas Behar spaced the" soldiers" and also red colored ink. -- Source of annotation: Marvin or Ruth Sackner.

Albert Behar is the Sackners' grandson. This work is stored in the Albert Behar Archive box. -- Source of annotation: Marvin or Ruth Sackner.

The notations to the right of the image were inspired by Julius Nelson's book "Artyping (1939-1940), a book held bythe Sackner Archive. A composite image was produced of the black and red density gradients by merging the original typings in Photoshop. -- Source of annotation: Marvin or Ruth Sackner.

The notations to the right of the image were inspired by Julius Nelson's book "Artyping (1939-1940), a book held bythe Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The notations to the right of the image were inspired by Julius Nelson's book "Artyping (1939-1940), a book held bythe Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue includes an essay by Marvin Sackner, "The Collector as a Performer" that is printed in English and also French with a translation by Albert Behar, his grandson. Photographic reproductions of the artworks lent by the Sackner Archive as well as an interior photograph of their apartment that houses the Archive are also included in this catalogue. Artists whose works were lent by the SacknerArchive to this exhibition and are photographically reproduced in this catalogue include Ben, Hubaut, Nadau, and Seille. In addition and not photographically reproduced, several Lettriste magazines were also displayed in a case. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue includes an essay by Marvin Sackner, "The Collector as a Performer" that is printed in English and also French with a translation by Albert Behar, his grandson. Photographic reproductions of the artworks lent by the Sackner Archive as well as an interior photograph of their apartment that houses the Archive are also included in this catalogue. Artists whose works were lent by the SacknerArchive to this exhibition and are photographically reproduced in this catalogue include Ben, Hubaut, Nadau, and Seille. In addition and not photographically reproduced, several Lettriste magazines were also displayed in a case. Jacques Halbert has signed his illustrated page and placed a cherry sticker. Joel Hubaut contributed a full page drawing opposite the illustration of his work "Hologramme vivant." He drew this while a guest at the Sackners apartment during the exhibition opening festivities. -- Source of annotation: Marvin or Ruth Sackner.