Robert Pincus-Witten wrote the introduction and Jon Hendricks the foreward to this extensive catalogue of Fluxus works. The latter points out that Fluxus was begun by George Maciunas in late 1961. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition catalogue describes the philosophy, attitudes, influences and purposes of Fluxus. It documents Fluxus editions, periodicals and bibliographic materials. Includes a chronology of Fluxus performances from 1962 to 1978. The exhibition was curated by Jon Hendricks. R.W, Smith: Massive exhibition of 683 works organized in three parts: Fluxus Editions & Related Works; Fluxus Periodicals and Documents, Related Publications and Bibliographic Material; and Fluxus Performance: Documentation of Events. Introduction by John Hendricks; A Complete History of Fluxus, Including Philosophy, Attitudes, Influences and Purposes (consisting of statements by Fluxus artists and Fluxus founder George Maciunas reproduced in facsimile); chronology of Fluxus Performance. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition consists mainly of Fluxus instructional drawings, writings and typings. -- Source of annotation: Marvin or Ruth Sackner.

Jon Hendricks, the editor, contributed an essay "Some Notes on Fluxus - Scores and Instructions" in which he writes that "People often see Fluxus performances as limited to a small group of action pieces, and ignore the rich variety of work that Fluxus embraced at different points in time." -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Clive Phillpot and Jon Hendricks. -- Source of annotation: Marvin or Ruth Sackner.

This as a gift cerificate to Backworks. -- Source of annotation: Marvin or Ruth Sackner.

Each card is laid out in an identical fashion but the licenses differ as to what is given and the Agency granting the license, e.g., License to Read by The Ku Klux Klan, License to Make a living by The Pentagon, etc. -- Source of annotation: Marvin or Ruth Sackner.

This book documents the history, philosophy and manifestos of Fluxus. It includes reprints of articles and letters from the 1960's. There are many illustrations of Fluxus artifacts. Maciunas' poster "U.S.A. Surpasses all the Genocide Records" (1967-1968) which is depicted on pages 208-209 is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Transmit: Fluxus - Mail Art - Net.works traces the development of collaborative networks as communication systems between artists from the early Fluxus and Mail Art movements to contemporary Web Art while exploring their artistic legacy. -- Source of annotation: Marvin or Ruth Sackner.

Gilbert Silverman contributed an introductory essay "Instruction Drawings." The curators, Jon Hendricks and Gunnar B. Kvaran, wrote about the history of 'sketch paintings' in their introductory essay. Jan Van Der Marck in an depth essay deals with the relationship of conceptual art to fluxus in the Silverman collection. -- Source of annotation: Marvin or Ruth Sackner.