As indicated in the handwritten leaflet, this project was done for a publication that wanted "nonrepresentational line work a la Caruso but not limited to line stacking." Several examples of Barbara Caruso's drawings are held by the Sackner Archive. curry placed a perfect square in the drawing's center surrounded by a circle, rectangles or a partial rectangle, all formed with blue inked straight lines or cross hatched lines. None of these drawings, which have optical effects, were published. -- Source of annotation: Marvin or Ruth Sackner.

The letters of this poem are set apart and smudged except for the SH of SHIFT to imply motion. The SH is printed together possibly to draw a scatologic inference. This work is also designated hangnail #3 and th wrecking ballzark #20. -- Source of annotation: Marvin or Ruth Sackner.

The letters of this poem are set apart and smudged except for the SH of SHIFT to imply motion. The SH is printed together possibly to draw a scatologic inference. This work is also designated Curvd H&Z No.69 and Hangnail #3. -- Source of annotation: Marvin or Ruth Sackner.