Includes group photograph of artists assembled for the 11th International Festival of Sound Poetry in Toronto, 1978. The record is selections of Canadian sound poetry. -- Source of annotation: Marvin or Ruth Sackner.

Also designated one cent #106 and th wrecking ballzark #49. The text is shaped like a leaf. -- Source of annotation: Marvin or Ruth Sackner.

Also designated th wrecking ballzark #54 and one cent #124. The cover was designed by jw curry. The sound poem appears to have its roots in a Native American chant. -- Source of annotation: Marvin or Ruth Sackner.

This is the layout for a poster announcing a poetry reading at The Abbey Bookshop. The background is a page from a porn magazine. According to a letter written from curry to the Sackners, about 75 were made but Ross' "feet got chilly" and most ended up destroyed. Ross made his own poster for the event to curry's dismay. Writing in 1994 to the Sackners, curry was sorry that the poster was not used since this was "a hilarious poke at The Abbey, a venue as staid as they come, bound in the honourable chains of hypothesized tradition." -- Source of annotation: Marvin or Ruth Sackner.

This is a major reference for sound and performance poetics. With the exception of the Sackner copy, the other nine copies were given to the participants. -- Source of annotation: Marvin or Ruth Sackner.

This is a the recording for the score published in an edition of 10 copies, one of which is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Ten copies of this documentation of the performace organized by jw curry were published. Eight were given to the participants. Therefore, the Sackner Archive has one of the only two in the public domain. -- Source of annotation: Marvin or Ruth Sackner.

These are the original notes for an unpublished sound poem for two voices used for a few performances. curry now prefers the title, Opium Marble: The Alley. -- Source of annotation: Marvin or Ruth Sackner.

This performance manuscript apparently has never been published. -- Source of annotation: Marvin or Ruth Sackner.

This collection was placed on indefinite loan to the Library of Rewley House, Oxford University Department for External Studies. Each citation carries a brief annotation. The collection includes catalogues from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Also designated th wrecking ballzark #54 and one cent #124. The cover was designed by jw curry. The sound poem appears to have its roots in a Native American chant. -- Source of annotation: Marvin or Ruth Sackner.