Scope and Contents

The exhibition space was a water-closet. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Exhibition dealing with HIV virus was curated by Tom Trusky. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Stephen Perkins, the curator of the exhibition and the editor of the catalogue writes the following introduction, "This catalogue is a documentation for an exhibition of assembling magazines that took place at Subspace, Iowa City, during September, 1996. The call for submissions was circulated among the correspondence art network and the exhibition was comprised of 38 titles from 15 countries, a small number of assembled books, two audio compilations and assorted artists' magazines, books and catalogues. Many contributors submitted statements about their publications and others offered articles and histories on particular aspects of assemblings. Also included in this catalogue are interviews with editors of four of the periodicals in the exhibition. I'd like to thank all the participants who contributed so generously and were instrumental in creating an exhibition that reflects the spirit of collaboration and exchange that is so central to this international networking community....

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The exhibition consisted of photographs from Perkins' trip to London. -- Source of annotation: Marvin or Ruth Sackner.

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This work consists of the responses to a questionaire on Mail Art Archives sent to the recipients by Ferranto. Some of the collectors also indicated that their collections were for sale. -- Source of annotation: Marvin or Ruth Sackner.

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The texts and covers were done by Jean-Claude Gagnon. Corrections and page placements were written by Jocelyn St-Pierre. -- Source of annotation: Marvin or Ruth Sackner. The top of the box translates the French title to "Where Great Spirits Gather..." (English) and "Dove i spiriti grandi sincontranno" (Italian).

Scope and Contents

Stephen Perkins contributed an introductory essay about Johnson. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive contains a version of this poem on a white plastic window shade. The book includes reproductions of collages by Steve Perkins. -- Source of annotation: Marvin or Ruth Sackner.