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Al Souza in 2001 became a widely acclaimed contemporary artist. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Amazon.com: This book documents a short but intense artistic experiment that took place in Yugoslavia fifty years ago but has been influential far beyond that time and place: the "little-known story" of the advent of computers in art. It was through the activities of the New Tendencies movement, begun in Zagreb in 1961, and its supporting institution the Galerija suvremene umjetnosti that the "thinking machine" was adopted as an artistic tool and medium. Pursuing the idea of "art as visual research," the New Tendencies movement proceeded along a path that led from Concrete and Constructivist art, Op art, and Kinetic art to computer-generated graphics, film, and sculpture. With their exhibitions and conferences and the 1968 launch of the multilingual, groundbreaking magazine Bit International, the New Tendencies transformed Zagreb"”already one of the most vibrant artistic centers in Yugoslavia"”into an international meeting place where artists, engineers, and scientists from both...

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Edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Henry Martin. -- Source of annotation: Marvin or Ruth Sackner.

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Most of the collage elements are circular reinforcements for the holes of loose leaf pages in varied colors -- Source of annotation: Marvin or Ruth Sackner.

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This is an excelent source for the listing of small press, artist and poet magazines in the 1960s -1970s. -- Source of annotation: Marvin or Ruth Sackner.

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Documents Arman's destruction of furniture in order to produce art. -- Source of annotation: Marvin or Ruth Sackner.

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This issue consists of an interview of Arakawa by Sarenco. The latter posed the question "...Do you think that this century's researches begin in the experiences of the historic avant garde or do you think that only personalities - as, for example you said about De Chirico - have made a contribution to art in the twentieth century?" Arakawa responded "I think the art of our century perhaps started from poetry, from poets." -- Source of annotation: Marvin or Ruth Sackner.

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The first portion of the book contains selected reprintings from the periodical, "Lotta Poetica," the second portion, reproductions of works by artists and poets who contributed to the magazine. -- Source of annotation: Marvin or Ruth Sackner.