This print depicts a mountain-like, expressionistic image composed of stenciled letter and number forms with splattered black ink. In a letter to the Sackners, Secunda remarks that the image was influenced by Schwitters' sound poems, the randomness of the works of Cage, Beckett, Albee and Stein, as well as the Theatre of the Absurd. -- Source of annotation: Marvin or Ruth Sackner.