This issue focus upon the young generation of Hungarian writers, poets and artists. -- Source of annotation: Marvin or Ruth Sackner.

This second volume of the catalogue mainly documents the Congress held in conjunction with the exhibition. It includes a congress summary by Kornelia Roder. There are also essays by Geza Perneczky, Karol Sauerland, Piotr Rypson, Guy Schraenen, Karla Sachse, Joachim Blank, and Balint Szombathy on the political-cultural-artistic implications of Mail Art. The catalogue contains a transcription of a panel discussion on Mail Art. The participants included Ruth Wolf-Rehfeldt, Klaus Groh, Leonard Frank Duch, Joseph H. Huber, Thomas Schulz, Birger Jesch, Hans-Ruedi Fricker, and Uwe Warnke. The catalogue reprints reviews of the exhibition. Four pages of calligraphic concrete poetry, entitled "Mnemonic Scores" by Valeri Scherstjanoi begin this book. -- Source of annotation: Marvin or Ruth Sackner.

Introductory essays for this outstanding Assembling periodical are provided by Denis Poniz and Franci Zagoricnik. The latter mentions that the first publication of Slovene Concrete Poetry appeared in 1966 and that international collaborations began in 1967. Further, Zagoricnik indicates that Westeast was highly influenced by Spatola's Anthology Geiger. The content is weighted toward concrete poetry and typewriter poetry although several other artistic and poetic genres are included. This issue has been poorly bound causing pages to become loosened from the binding. This issue was dedicated to Seiichi Niikuni (1925-1977) and includes several photographic reproductions by Japanese poets influenced by his work. -- Source of annotation: Marvin or Ruth Sackner.