Scope and Contents

This catalogue records the instructions by telephone from the participants (as a 33 rpm record in a record jacket) along with documentation on the inside of the record jacket. The outside cover of the record jacket, has the printed caption, "This Is A Recording" whereas the inside cover, has the printed caption, "This Is A Catalogue." The Archive for this exhibition along with a work by William T. Wiley are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Discusses and depicts 64 bookbindings from eight bookbinders commissioned by the author for his collection. On pages 62 and 63, Van der Marck mentions how the Sackners introduced him to one of the binders, Timothy Ely, who had been his student at the University of Washington. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This issue is an exhibition catalogue for Simonetti. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This archive, from the collection of Jan van der Marck (1929-2010), who curated it, essentially duplicates the pamphlet that accompanied the limited edition box of the same title. It includes four announcement cards from Language I, II, III & IV exhibitions at the the Dwan Gallery 1967-1970 with artists that might have received his invitation to contribute to the "Pictures..." or "...Telephone exhibitions. The former is not included in the pamphlet catalogue nor is the invitation letter included in the Archive. Other missing elements from the Archive that are depicted in the pamphlet include correspondence from Al Howard & a found advertisement on bottle caps. Bauermeister writes a long rambling letter with her thoughts on her contribution according to van Marck's dictum, viz., an object with no intrinsic value that can be picked up in a dimestore, found on a beach or manufactured with little trouble - expressive of your likes & ideas, an element recurrent in your work...

Scope and Contents

This duplicates the correspondence for the exhibition archive and includes letters and cards by Arakawa, George Brecht, Tenny Duchamp, Ovind Fahlstrom, Ray Johnson, Allan Kaprow, Alison Knowles, Ron Kitaj, Gianni Simonetti, and Wolf Vostell. There are drawings by Baruchello, Mary Bauermeister, George Brecht, and James Nutt, and a collage by Granni Simonetti that deals with plans for assembling the found objects to be placed in a plexiglas box by museum personnel. The box is also accompanied by the catalogue of the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Gilbert Silverman contributed an introductory essay "Instruction Drawings." The curators, Jon Hendricks and Gunnar B. Kvaran, wrote about the history of 'sketch paintings' in their introductory essay. Jan Van Der Marck in an depth essay deals with the relationship of conceptual art to fluxus in the Silverman collection. -- Source of annotation: Marvin or Ruth Sackner.