Scope and Contents Internet: Emilio Villa passed away on 14th January 2003. He had been born at Affori, near Milan in 1914. He spent his life in Milan, Florence, Sao Paolo (Brazil) and most of all in Rome, engaging in studies of Semitic - he was an exile from the Vatican Institute of Biblical Studies "“ and early Greek philology and working actively with avant-garde artists both Italian and foreign. He carried out a remarkable prose translation of the Odyssey (1964) and he also translated some cuneiform tablets of the Accadic poem "Enuma Eli" (1939). Moreover he carried out a long labour of interpretation of some passages of the Bible, of the Pentateuch in particular. He contributed to several cultural reviews, such as "Frontispizio", "Letteratura", "Arti visive" (1953-56), to avant-garde magazines, such as "Ex" (1961-65) and "Tau/ma" (1980). Some of his most significant writings on contemporary art are collected in "Attributi dell'arte odierna" (1947-67) reedited by Aldo Tagliaferri...

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This book consists of two collages by Caruso mounted on a single sheet of blue inked graph paper, and, poems by Belforte and Villa in Italian and French, respectively. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.

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Edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.

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The print was done by Caruso and the text by Villa. -- Source of annotation: Marvin or Ruth Sackner.

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This work was translated by Pasquale Verdicchio and edited by Paul Vangelisti. -- Source of annotation: Marvin or Ruth Sackner.

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This series was edited by Luciano Caruso. This booklet includes the poetic works of Caruso as well as Villa, Diacono and Martini. Stored with Luciano Caruso material. -- Source of annotation: Marvin or Ruth Sackner.

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Several works held by the Sackner Archive are depicted in this catalogue: pp 29, 32, 35, 44, 45, & 51. -- Source of annotation: Marvin or Ruth Sackner.

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The text of Caruso's writing was taken from a poem by Villa, "Il Fuori il Dentro del Signo."(1972) -- Source of annotation: Marvin or Ruth Sackner.

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This publication was edited by Luciano Caruso. -- Source of annotation: Marvin or Ruth Sackner.

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Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Carrega presents a classification system on the three unbound pages for these "active writings" by Italian visual poets. A fuller description of his system was published as a book with the same title (also held by the Sackner Archive). This anthology is an outstanding contemporary survey of Poesia Visiva. Handcolored additions to the prints, done on varied paper stock and color, were made by Scanavino, Sanesi, Marocco, Pozatti, Carrega, and Finotti. Collaged additions to the prints including b&w photographs, thread, and magazine clippings, were made by De Leonardis, Altamira, Brunetti, Carpi, Castagnotto, Carrega, Oberto, Niccolai, and Izzo. -- Source of annotation: Marvin or Ruth Sackner.