The artist made seemingly abstract metal and wooden sculptures which when properly lit cast shadows of concrete poems. -- Source of annotation: Marvin or Ruth Sackner.

Stephen Ruppenthal and Larry Wendt in a well documented article "Vocable Gestures: A Historical Survey of Sound Poetry" provides an excellent history of sound poetry. -- Source of annotation: Marvin or Ruth Sackner.

Complains in a good natured way about the visitors to her Archive. -- Source of annotation: Marvin or Ruth Sackner.

Skuber's drawing "Nachtschatten," which is depicted in this catalog, was subsequently acquired by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is the true first edition of a superbly illustrated catalogue that encompasses ancient to contemporary international visual/verbal content. The cover was designed by Josua Reichert. A translucent page by Carlfriedrich Claus is titled "Vibrationstext" and consists of micrographic Hebrew texts printed recto-verso. -- Source of annotation: Marvin or Ruth Sackner.

This is the true second edition of a superbly illustrated catalogue that encompasses ancient to contemporary international visual/verbal content. This book includes a translucent paper page by Carlfriedrich Clausen entitled "Vibrationstext" that consists of micrographic Hebrew texts printed recto-verso. -- Source of annotation: Marvin or Ruth Sackner.

There were 500 hard back cover copies and 750 sof back covers printed. Frank mentions that Dick Higgins destroyed most of the copies of the American run of Peter Finch's " Typewriter Poems" because he had not been informed that the anthology was entirely British. -- Source of annotation: Marvin or Ruth Sackner.

This is an essay in a medical magazine that describes the beginnings of the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Peter Frank. The Sackner Archive lent 12 pages of the "First Revised Edition of A Humument" to the exhibition. The catalogue includes essays by Arias-Misson, Frank, Miccini, and Sarenco as well as a chronology dealing with visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue begins with illuminating introductory essays about Artist Stamps, 1) Peter Frank: Postal Modernism; Artist's Stamps and Stamp Images, 2) E.F. Higgins III: Artist's Stamps, and 3) Lazlo Beke: Stamps and Artist's Stamps, 4) Gabor Toth: Stamp Edition, 5) Anna Wessely: Artist's Post Stamps, and 6) Rudolf Ungary: The Mathematics of Artist's Stamps. This is followed by a brief bibliography and a listing of contributors to the exhibition grouped by country of birth. The remainder of the catalogue depicts pages of artist stamps printed in a single color with each page a different color. -- Source of annotation: Marvin or Ruth Sackner.