This exhibition was curated by Kate van Houten who also wrote the introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

The almost micrographic handwriting appears to depict words but on close examination, the letters are indecipherable. The dry board mount of the drawing has the same dimensions as the drawing. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was focused on book objects. Several of the artist's works are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Four duplicate drawings from the suite of 60 drawings in Ann Noel's "Conflux," a work held by the Sackner Archive, are reproduced in this catalogue. The Sackner Archive is acknowledged as the owner of this suite of drawings. -- Source of annotation: Marvin or Ruth Sackner.

The work consists of hundreds of loose, moveable chads from printed text in the foreground with pasted printed chads as a collaged relief onto the background enclosed within a picture frame. The work provides a dynamic three dimensional image of positive and negative space as the fragments of paper are closer and further away from the plexiglas barrier. The artist's printed comments in German on this work have been pasted to the verso. -- Source of annotation: Marvin or Ruth Sackner.

The almost micrographic written text, black ink on white paper, is layed out as circular shapes to form a vertical rectangle. This is mounted to a crumpled kraft paper background. Although the text appears to form words, the letters are indecipherable. -- Source of annotation: Marvin or Ruth Sackner.

This book offers a selection of collages and poem objects by Kluge to the Sackners. -- Source of annotation: Marvin or Ruth Sackner.