Although published in 1991, several of the poems and essays in this issue have terrorist, Gulf war and suppression of civil liberties in Latin America themes that seem timely to the terrorist assult on the World Trade Center in NYC that happened (September 11, 2001) as this periodical is now being catalogued. In addition, Scott Montgomery contributed an insightful essay, "On the Banning of 'The Satanic Verses': Thoughts on the Politics of the Book." -- Source of annotation: Marvin or Ruth Sackner.

Winkler's work consist of forming line constructions and geometrical shapes based upon connecting the letters of a word with straight lines to a circle of the letters of the alphabet. These shapes might be considered a semiotic representation of the word in a non-verbal language. -- Source of annotation: Marvin or Ruth Sackner.

Winkler's work consists of forming line constructions and geometrical shapes based upon connecting the letters of a word with straight lines to a circle of the letters of the alphabet. These shapes might be considered a semiotic representation of the word in a non-verbal language. -- Source of annotation: Marvin or Ruth Sackner.

A portion of the content of this book consists of reproductions of work of 185 rubberstamped cards with hand drawn ink lines, exhibited in the Rosenwald Gallery of the Van Pelt Library of the University of Pennsylvania as part of the exhibition Michael Winkler -- Word-Images: 1982-2004. -- Source of annotation: Marvin or Ruth Sackner.

This work depicts Winkler's typical working of diagramming words using a circular representation of the alphabet. -- Source of annotation: Marvin or Ruth Sackner.

Thiis manuscript consisted of the working originals used for the installation, "WORD ART / ART WORDS" at Jurgen Olbrich's studio space in Kassel, West Germany. \The layour of the drawings is typical of Michael Winkler's work. -- Source of annotation: Marvin or Ruth Sackner.

This book shows Winkler's typical working of diagramming words using a circular representation of the alphabet. -- Source of annotation: Marvin or Ruth Sackner.

Winkler's work consists of forming line constructions and geometrical shapes based upon connecting the letters of a word with straight lines to a circle of the letters of the alphabet. These shapes might be considered a semiotic representation of the word in a non-verbal language. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive lent Word Works (Book) to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Winkler's work consists of forming line constructions and geometrical shapes based upon connecting the letters of a word with straight lines to a circle of the letters of the alphabet. These shapes might be considered a semiotic representation of the word in a non-verbal language. The line drawings by themselves are also placed on the landscape photographs. The significance of the typings in a non-verbal language done on the verso of the pages with the colored photographs of the landscape and ancient tablet scenes is cryptic. -- Source of annotation: Marvin or Ruth Sackner.