Noel's images depict eight air deoderizer cans lined in a two rows that are reminiscent of Damien Hirst's pharmacy shelves. Cesar Figueiredo's two images are visual poems. -- Source of annotation: Marvin or Ruth Sackner.

The folded postcard that becomes the cover is a picture of the Baroni family hotel, Alcapulco, in Forte Dei Marmi. -- Source of annotation: Marvin or Ruth Sackner.

The images from 32 artists in this exhibition were based upon their reaction to the Gulf war. -- Source of annotation: Marvin or Ruth Sackner.

Composed of rows of finger prints within a grid. -- Source of annotation: Marvin or Ruth Sackner.

This booklet consist of pages cut from a larger book. -- Source of annotation: Marvin or Ruth Sackner.

The documentation relates that consists of names and addresses of photocopying artists relates to an exhibition held during Documenta 11. -- Source of annotation: Marvin or Ruth Sackner.

Curated by Fernando Aguiar. Works reproduced in catalog by Cesar Figueiredo held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This work is reproduced in the exhibition catalogue "Concrete, Experimental Visual" (1989). One collage (Solar VI) is framed and hung. Solar III is also reproduced in Mendes de Sousa, Carlos & Ribeiro, Eunice Editors: Antologia da Poesia Experimental Portuguesa: Anos 60 - Anos 80, 2004, a book held by the Sackner Archive. The Sackners lent these collages to the exhibition 'Poesure et Peintrie' (1991) in Marseile. -- Source of annotation: Marvin or Ruth Sackner.

No.3 in series. -- Source of annotation: Marvin or Ruth Sackner.