Scope and Contents

The color photograph of this card taken by Peter Foolen depicts a river bridge scene with people and a flag labeled with the title of the poem. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is an illustrated catalogue of prints and books produced by the October Foundation. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Printed on the occasion of the annual meeting of I.K.G. and the 10th anniversary of the graphics workshop, Peninsula. All works are numbered and signed but "by circumstances the numbering of the prints is not alike." contents: Marina Abramovic "“ Dragon Head, colour photograph Claudia Costa "“ Mira Alta, colour etching with drawing Gunter Demnig "“ Gesetzetafeln, computerprint, silkscreen in portfolio Andrzej Dluznieuwski "“ Untitled, silkscreen Hetum Gruber "“ Untitled, photograph Franziska Megert "“ Untitled, colour laser print Maurizio Nannucci "“ The possible Plan, silkscreen Boris Nieslony "“ Wass soll das, Monotype, handcoloured Ann Noël "“ Bo Peep-Caution Explosive, silkscreen Jürgen O. Olbrich/Wolfgang Hainke "“ H90-Unbedruckt, silkscreen Paul Panhuysen "“ Gelijke rechten voor geel, rood en blauw, silkscreen Sef Peeters "“ Untitled, silkscreen Maria Anna Potocka "“ Primer of Human Form, offset, monotype Eva-Maria Schön "“ Parallele Natur, silkscreen, drawing Nicholaus...

Scope and Contents

This card depicts a photograph of a mountain landscape. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book is dedicated to Tom and Laurie Clark and is a description of the geography, history and flora of Parnassus. Laurie Clark contributed the cover drawing. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The card depicts a photograph of a seascape. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The prints in this portfolio are language based, generally as conceptual texts. Ian Hamilton Finlay contributes a silkscreened text, printed in alternating green and purple letters, refering to gardens, ruins and the French Revolution. The text of Hamish Fulton relates to his walks in the country. Jenny Holzer lists "Truisms" in a print that has been folded. A black and white photograph of a brick wall by Joseph Kosuth is overlaid with a printed quote from in Dutch by Piet Mondrian. Richard Long presents "A Cloudless Walk" printed in white capital letters on a sky blue background. Lawrence Weiner's silkscreened print "The Salt of the Earth Mingled with the Salt of the Sea" gives an appearance that these words have been handcolored with red crayon. Remy Zaugg made an aquatint composed of three words, Grauw Beeld Blind, in a gray color on a background of a lighter gray color. Hans Waander's silkscreened concrete poetic print is composed of the words, Kingfish, kingfisher, fisherman,...

Scope and Contents

Each participating artist was invited to make a proposal for a work in public space and a work for a portfolio. These artists all use text and language for their works. An introductory essay by Tjeu Teeuwen traces the relationship between text and image from early religious works through the influences of Mallarme, cubist collages, calligrams, futurism, dada, constructivism, De Stijl, concrete poetry, fluxus and conceptual art. Essays are also included on art in public places and nomadic art. -- Source of annotation: Marvin or Ruth Sackner.