Scope and Contents Nicholas Zurbrugg contributes a chapter titled "Towards the End of the Line: Dada and Experimental Poetry Today." In it he analyzes Dada's influence on contemporary experimental poetry, specifically concrete poetry, and concludes that "despite their various differences, the Dada poets and the poets of the contemporary avant-garde exhibit a curiously complementary relationship."The conents include: Introduction, by Stephen C. Foster and Rudolf E. Kuenzli; Dada: A Definition, by Michel Sanquillet; Dada Criticism, Anti-Criticism and A-Criticism, by Stephen C. Foster; The Semiotics of Dada Poetry, by Rudolf E. Kuenzli; The Typographic Revolution: Antecedents and Legacy of Dada Graphic Design, by Arthur Cohen; Dada and Mysticism: Influences and Affinities, by Richard Sheppard; New York Dada and Primitivism, by Dickran Tashjian; Berlin Dada, by Hans J. Klenschmidt; Arp in Zurich, by Alastair Grieve; Dada's Temper: Our Text, by Mary Ann Caws; Towards the End of the Line: Dada and...

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Includes suggestions for revisions of Curtay's essay for publication in the catalog for the University of Iowa's exhibition of Lettrisme. -- Source of annotation: Marvin or Ruth Sackner.

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This issue is oriented mainly toward the works that origninated in the various locations for Dada experimentation. -- Source of annotation: Marvin or Ruth Sackner.

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Several works from Sackner Archive were lent to this exhibition. The photographs depict Chinese visitors to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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Several works were loaned to this exhibition by the Sackner Archive including sound poems by Raoul Hausmann. -- Source of annotation: Marvin or Ruth Sackner.