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This is the only full-length study of Finnegans Wake to outline and catalog the immense amount of naturalistc detail from which Joyce built the book. -- Source of annotation: Marvin or Ruth Sackner.

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Contains an illustrated essay "A Dreamer of Dreams: Barry Moser" by Dena McDuffie that describes the influence of Leonard Baskin and Gehenna Press on Moser. Contains a list of books that were omitted from the experts' top 100 list. Lee Bioni contributes an in depth biography of James Joyce. Included in the essay are descriptions of Joyc'e published books and documentation of their auction history. -- Source of annotation: Marvin or Ruth Sackner.

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The introduction of this book by Cage has an experimental typographic layout. The remainder consists of a standard layout of questions and answers. -- Source of annotation: Marvin or Ruth Sackner.

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These laminated drawings were intended but not included in the book of the same title published by Gridgraffiti Press in 1978. They are stored in the same box as the drawings used in the publication. -- Source of annotation: Marvin or Ruth Sackner.

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Subtitled "A Confabulation with Finnegans Wake" Drachler's "graphics make an imaginative journey into the teeming world" of Joyce's extraordinary novel. The Sackner Archive also holds the published edition of this maquette. -- Source of annotation: Marvin or Ruth Sackner.

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The introduction and commentaries on Hamilton's illustrations of James Joyce's Ulysses were written by Stephen Coppel. The exhibition consisted of prints and preparatory drawings to illustrate sections of the book that has not yet been realized. This is reproduced along with the corresponding text of Ulysses in the catalogue. A final section of text prints Hamilton's notes on the illustrations. -- Source of annotation: Marvin or Ruth Sackner.

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Card lists the seven addresses where Joyce stayed in Trieste. -- Source of annotation: Marvin or Ruth Sackner.

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The title "Ithaca" is the chapter in Homer's "Odyssey" which corresponds to the chapter on James Joyce's "Ulysses" from which the excerpts appear in this book. The woodcut illustration of James Joyce was made by Tara McLeod. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Publishers Weekly: Panter has been a leading figure in underground comics for more than 25 years, and he's had a profound influence on everyone from Chris Ware to Matt Groening. He's generally credited with giving a graphic identity to the L.A. punk scene, and he was the lead designer for the vibrant world of the television show Pee Wee's Playhouse. Like R. Crumb, Panter stands as a beacon of artistic and literary genius in the medium. This oversized work is an amalgamation of Dante's Purgatorio, Boccaccio's Decameron, Panter's own fictional universe and various pop culture icons. Jimbo, a cross between Candide and Virgil, makes his way through a vast science fiction--like infotainment-testing center constructed as Mount Purgatory. Here Jimbo encounters Frank Zappa, John and Yoko, robots and dragons, among others, and each character is a stand-in for a personage in Dante's Divine Comedy. They each quote a fragment of text (cited at the bottom of each page) that furthers the plot....

Scope and Contents Each page is a calligraphic portrait of a prominent person in the arts and sciences accomplished through texts that are handwritten in darker and lighter lines to form the image.Wikipedia: Gernot Schwaiger (24 January 1952 in Kassel ) is a German visual artist, lithographer, draftsman and sculptor. He first trained as a bookseller . Then he studied at the Academy of Fine Arts in Kassel, and received a scholarship from the Friedrich Ebert Foundation . He completed his studies with the work of art school graduating designers and art degree as a sculptor and painter. In 1983, its existing only from black and white illustrations book CVs . His work through a repeatable sequence. First, he researched the CV of mostly already deceased personality. Then he hand-written resume of the model . Finally, he writes with black color again on the resume, but changed so the font size, font width and font thickness that one out of the text, the portrait can perceive. The drawings were as...