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Erro, 1932-

 Person

Dates

  • Existence: 1932-07-19-

Found in 6 Collections and/or Records:

Oyvind Fahlstrom, 1979

 Item
Identifier: CC-11155-11370
Scope and Contents

Includes Fahlstrom's manifesto for concrete poetry (1953). *WEB 1998: Sharon Avery-Fahlstrom Executrix, Estate of Oyvind Fahlstrom commented that the principal contributor to this catalogue was Oyvind Fahlstrom. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Oyvind Fahlstrom, 1980

 Item
Identifier: CC-11156-11371
Scope and Contents

This catalogue is almost identical to the one published for the Modern Museet exhibition except that the text is written in French. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1980

voyous voyants voyeurs / Trouille, Clovis ; diRosa H ; Nadau JP ; Erro ; Molinier P., 2009

 Item
Identifier: CC-50526-71597
Scope and Contents Camille Clovis Trouille, was born on 24 October 1889, in La Fère, France. He worked as a restorer and decorator of department store mannequins, but is remembered as a Sunday painter who trained at the Ecole des Beaux-Arts of Amiens from 1905 to 1910. He died on 24 September 1975 in Paris. His service in World War I gave him a lifelong hatred of the military, expressed in his first major painting Remembrance (1931). The painting depicts a pair of wraith-like soldiers clutching white rabbits, an airborne female contortionist throwing a handful of medals, and the whole scene being blessed by a cross-dressing cardinal. This contempt for the Church as a corrupt institution provided Trouille with the inspiration for decades of pictorial blasphemies: Dialogue at the Carmel (1944) shows a skull wearing a crown of thorns being used as an ornament. The Mummy shows a mummified woman coming to life as a result of a shaft of light falling on a large bust of Andre Breton. The Magician (1944) has...
Dates: 2009