Erro, 1932-
Person
Dates
- Existence: 1932-07-19-
Found in 6 Collections and/or Records:
Art et Litterature / Librairie de la Gare ; Arp H ; Ernst M ; Erro ; Lebel JJ ; Picabia F ; Dotremont C ; Magritte R ; Albert-Birot P ; Aragon L ; Benoit PA ; Butor M ; Eluard P ; Ionesco E ; Jabes E ; Pessoa F ; Queneau R ; Roche M ; deCharmoy C., 1989
Item
Identifier: CC-06900-7023
Let's Mix all Feelings Together / Baruchello, Gianfranco ; Fahlstrom, Oyvind ; Erro ; Liebig, K. ; Oldenburg C ; Rauschenberg R., 1975
Item
Identifier: CC-21444-21855
List N / Bisson-Millet, Paule-Leon ; Erro ; Finlay IH ; Fulton H ; Gette PA ; Long R ; Oldenburg C ; Shiomi M ; DeVries H., 1997
Item
Identifier: CC-28965-30297
Oyvind Fahlstrom, 1979
Item
Identifier: CC-11155-11370
Scope and Contents
Includes Fahlstrom's manifesto for concrete poetry (1953). *WEB 1998: Sharon Avery-Fahlstrom Executrix, Estate of Oyvind Fahlstrom commented that the principal contributor to this catalogue was Oyvind Fahlstrom. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1979
Oyvind Fahlstrom, 1980
Item
Identifier: CC-11156-11371
Scope and Contents
This catalogue is almost identical to the one published for the Modern Museet exhibition except that the text is written in French. -- Source of annotation: Marvin or Ruth Sackner.
Dates:
1980
voyous voyants voyeurs / Trouille, Clovis ; diRosa H ; Nadau JP ; Erro ; Molinier P., 2009
Item
Identifier: CC-50526-71597
Scope and Contents
Camille Clovis Trouille, was born on 24 October 1889, in La Fère, France. He worked as a restorer and decorator of department store mannequins, but is remembered as a Sunday painter who trained at the Ecole des Beaux-Arts of Amiens from 1905 to 1910. He died on 24 September 1975 in Paris. His service in World War I gave him a lifelong hatred of the military, expressed in his first major painting Remembrance (1931). The painting depicts a pair of wraith-like soldiers clutching white rabbits, an airborne female contortionist throwing a handful of medals, and the whole scene being blessed by a cross-dressing cardinal. This contempt for the Church as a corrupt institution provided Trouille with the inspiration for decades of pictorial blasphemies: Dialogue at the Carmel (1944) shows a skull wearing a crown of thorns being used as an ornament. The Mummy shows a mummified woman coming to life as a result of a shaft of light falling on a large bust of Andre Breton. The Magician (1944) has...
Dates:
2009