Scope and Contents

Edited by Brian Lane and Trevor Wells. Designated No.136 in bibliography of book entitled "The Printed Performance Brian Lane Works 1966-99." -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Kitasono's Komposition B (1967), a b&w photograph of unknown copies that is held by the Sackner Archive is reproduced in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Print sepicts stylized, constructivistic gray letters and ideograms printed on a tan paper sheet. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The RENSHI reproduced in this book are a modern form of RENGA, a group of HAIKU-LIKE verses linked in any one of several special ways. It is usually written by two or more poets who take turns writing the verses. In classical RENGA, 3-line and 2-line verses are alternated, beginning with a 3-line verse (a hokku, usually approximating 5-7-5 syllables) resembling haiku and indicating a season. A second poet composes the following verse (2 lines approximating 7-7), linking it by one of several methods (not too obviously, please) with the first. The next verse (of 3 lines), composed by the first poet (in a 2-person renga) or by another (in renga written by more than 2 poets), links with the second but not with the first. Traditionally, each verse employs a season word, most especially the ones requiring reference to autumn, moon, flower, etc. Season words are words usually associated with one season more than another (blossom = spring; snow = winter; baseball = summer, harvest =...