The newspaper supplement to the catalogue is the front and back covers of the January 19-20, 1963 issue of the New York Herald Tribune. On the back cover,a public notice is circled with red crayon. It reads, Carl Fredrik Reutersward Closed for holidays 1963-1972. The inner two pages describe a Reutersward performance with photographs that is entitled KILROY WAS HERE. -- Source of annotation: Marvin or Ruth Sackner.

The text of this book consists of seven pages of French names separated by variable spaces and without punctuation, e.g., Victor Isidore Desire Emile Robert Victor Isidore, etc. The line drawing of Reutersward's profile was made by connecting the numbered dots printed underneath the tipped-in translucent paper. -- Source of annotation: Marvin or Ruth Sackner.

This issue provides a great deal of technical information about the making of holograms. -- Source of annotation: Marvin or Ruth Sackner.

Includes Fahlstrom's manifesto for concrete poetry (1953). *WEB 1998: Sharon Avery-Fahlstrom Executrix, Estate of Oyvind Fahlstrom commented that the principal contributor to this catalogue was Oyvind Fahlstrom. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue is almost identical to the one published for the Modern Museet exhibition except that the text is written in French. -- Source of annotation: Marvin or Ruth Sackner.

The text consists of the empty spaces from the words removed but with the punctuation marks intact. This was also the basis for a sound poem.Internet: The unit was originally created as an accurate representation of all punctuation marks in an article from the Neue Zurcher Zeitung., Nearly 100 pages of punctuation with varying density - a kind of map of written language starry. In Prix Nobel has just written source been returned. What we usually see as central, is shaved away and work out as yet another meaning to Reutersward s excitement of "international letters -- Source of annotation: Marvin or Ruth Sackner.

In this catalogue, Reutersward presents works in which the letters of the alphabet have been formed into abstract visual and sculptural pieces. Susan Sontag contributed a critical essay. -- Source of annotation: Marvin or Ruth Sackner.