The typewriter poems in this book are printed on blue colored stock. -- Source of annotation: Marvin or Ruth Sackner.

The typewriter poems in this book are printed on blue colored stock. -- Source of annotation: Marvin or Ruth Sackner.

The collaged image on the card is a grid of typed z's with a blank area at the lower right corner of the grid signifying arousal. This issue is also designated th wrecking ballzark #$39. -- Source of annotation: Marvin or Ruth Sackner.

Also designated th wrecking ballzark #32 and pomez a penny #70. -- Source of annotation: Marvin or Ruth Sackner.

This poem morphs the words 'dismay and Mayhem' into 'dismayhem.' It is also designated the wrecking balzark No.18 and pomez a penny #38. -- Source of annotation: Marvin or Ruth Sackner.

Also designated th wrecking ballzark #54 and one cent #124. The cover was designed by jw curry. The sound poem appears to have its roots in a Native American chant. -- Source of annotation: Marvin or Ruth Sackner.

These are reviews of books by Jeremy Adler and William Maki done in a style of experimental writing. They appeared in a book of the same title published by Runaway Spoon Press, Port Charlotte, Florida, 1991 and in Score No.5. Both of these works are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This poem morphs the words 'dismay and Mayhem' into 'dismayhem.' It is also designated curvd H&Z No.60 and pomez a penny #38. -- Source of annotation: Marvin or Ruth Sackner.

Also designated th wrecking ballzark #54 and one cent #124. The cover was designed by jw curry. The sound poem appears to have its roots in a Native American chant. -- Source of annotation: Marvin or Ruth Sackner.