Marcus greatly enlarged the letters of the words in this book to bleed across the pages to make the text illegible. -- Source of annotation: Marvin or Ruth Sackner.

Includes a review of Christopher de Hamel's "A History of Illuminated Manuscripts," a book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Most of this catalogue deals with listing of periodicals. It is a major resource of Avant Garde periodicals from the sixties through the nineties. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition focuses on "artists who have explored the use of computer technology to create art of aesthetic value. "A symposium on computer art was held with the exhibition, to address the humanistic issues raised by the computer's influence on art and design. -- Source of annotation: Marvin or Ruth Sackner.

Marcus greatly enlarged the letters of the words in this book to bleed across the pages to make the text illegible. -- Source of annotation: Marvin or Ruth Sackner.

Contains essay by Philip Meggs on El Lissitzky's "For The Voice" which provides an English translation of its content. -- Source of annotation: Marvin or Ruth Sackner.

Mentions support of Sackner Archive in producing "Adrift" a holographic poem composed of seven words that dissolve into space and into each other with viewing. The reading process takes place along the Z axis. The letters that form the words float irregularly along several Z axis except for the word "breathe" which is somewhere integrated into the overall field. This blows life into the other words as its letters move away from their original position to dissolve again in the light field. -- Source of annotation: Marvin or Ruth Sackner.